Sagarika (1956)

Every now and then, when I’ve reviewed a Hindi film (Mamta, Sahib Bibi aur Ghulam, Kabuliwaalah, Khamoshi) or even mentioned one (Devdas, Chori Chori), someone or the other has popped up and either informed me (or reminded me) that this film was originally made in Bengali.

It was a little different with Sagarika. This film nobody told me about. I happened to be trawling IMDB checking out the synopses of all of Suchitra Sen and Uttam Kumar’s films, and realized—even as I read the plot of Sagarika—that this was exactly the same story as one of my favourite Hindi films, Bimal Roy’s lovely Prem Patra. Could I resist the temptation to watch it? No.

Uttam Kumar and Suchitra Sen in Sagarika Continue reading

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Chaowa-Pawa (1959)

Serendipity: noun. plural: serendipities. The faculty of making fortunate discoveries by accident; the occurrence of such a discovery. Coined by Horace Walpole in 1754, based on a fairy tale called The Three Princes of Serendib (‘Serendib’ being present-day Sri Lanka)—the three princes in question often making such lucky discoveries.

And what does this have to do with Chaowa-Pawa (‘To Want and To Have’)? Simply that, while I had set about watching this film because I really, really like the lead pair—Uttam Kumar and Suchitra Sen—I realized, within the first half hour of the film, that it was a remake of one of my favourite old Hindi films, Chori-Chori (which, as many of you would know, was a remake of It Happened One Night). Serendipity? Absolutely.

Uttam Kumar and Suchitra Sen in Chaowa-Pawa

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Charulata (1964)

… and some random comparisons with Sahib Bibi aur Ghulam.

This Satyajit Ray film had been lying in my to-watch pile for a long time. Then, I learnt a few days back that the Indian government had finally decided to award a Dadasaheb Phalke to Soumitra Chatterjee for his contribution to Indian cinema. Better late than never, I guess (even though a number of people have said that it’s too late). The announcement, however, did give me a solid reason to watch Charulata (aka The Lonely Wife). And I ended up wanting to hit myself for not having seen this masterpiece earlier.

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Agni Pariksha (1954)

Or Ogni Porikkha, if you want to be phonetically correct.

Over the last twenty-odd years, I’ve heard countless Bengalis rave about Uttam Kumar and Suchitra Sen as the ultimate onscreen romantic couple. I’ve seen both of them act (separately) in a few (admittedly Hindi) films, and have been very impressed.
So, finally: an Uttam Kumar-Suchitra Sen film, and one that was a big hit too. Agni Pariksha: ‘trial by fire’.

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Goopy Gyne Bagha Byne (1968)

There are some films that offer deep, mind-searing insights into human life. There are some that allow one to escape for a couple of hours into a world of make believe where good and beautiful people always win and the bad always come to a sorry end.
And there are films like this one, which I seriously think should be prescribed as an anti-depressant. Goopy Gyne Bagha Byne (The Adventures of Goopy Gyne and Bagha Byne) isn’t  among Satyajit Ray’s most profound works—it’s not in the same league, perhaps, as the Apur trilogy or Nayak. It is, however, one of the most charming films ever made in India, and a sure cure for the blues. I adore this film. Every delightful little bit of it.

Goopy and Bagha

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