Tag Archives: Keir Dullea

Bunny Lake is Missing (1965)

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A little girl, an American newly arrived in England, goes missing from the nursery school she’s just joined. The police come to investigate, but things begin to get very puzzling soon after and the superintendent in charge of the case ends up wondering: Is Bunny Lake really missing? Does Bunny Lake even exist?

This film, produced and directed by Otto Preminger, was nominated for several BAFTA awards, and having seen it, I wonder why it didn’t win even a single award. It’s a gripping story, and moves swiftly from the very start.

It begins at a home in London, where Steven Lake (Keir Dullea) goes about picking up stuff, making sure everything is draped in covers, before he locks up the house and has a word with a couple of workmen who are there to help shift some stuff to another home. Much later in the film, when Steven and his sister Ann are talking to the police, it transpires that Steven, who is a journalist, has been working in London for some time and was staying in Frogmore End (which is the house shown in the opening frames).

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Madame X (1966)

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I still remember the very first Lana Turner movie I watched: The Three Musketeers, in which she starred as the evil but beautiful Lady de Winter. I watched that film mostly for Gene Kelly, one of my favourites; but I remember being struck by Lana Turner. So icily beautiful, but so ruthlessly, coldly calculating and vicious too. She was exactly as I’d imagined Lady de Winter to be when I’d read The Three Musketeers (it’s a different matter that the film diverged considerably from the novel).

Today may be the birth centenary of Lana Turner (the ‘may be’ because some say she was born on February 8, 1920, rather than 1921). Born in Idaho, as Julia Jean Mildred Frances Turner, ‘Lana’ came to California with her mother after her father was murdered in 1929. By the time she was 17, Lana had landed her first role in cinema, and by the early 40s, had started becoming an actress to be reckoned with. ‘The Sweater Girl’, as she was known, ended up being projected mostly as little more than a sex symbol by MGM, but proved, over time, that she could act with the best of them. Films like Peyton Place, Imitation of Life and The Postman Always Rings Twice gave her a chance to show that her acting talent was everywhere as good as her legendary beauty.

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