Chupi Chupi Aashey (1960)

In 1947, as a birthday present for Queen Mary, Agatha Christie wrote a radio play called Three Blind Mice, about eight people snowed in, in a manor—one of them (who, we don’t know till the end) a murderer. Later adapted into a short story and then a theatrical play called The Mousetrap (because Three Blind Mice was already the title of a play), Christie’s work set a record. The Mousetrap, which saw its 30,000th performance in March 2026, is the longest-running play in history.

Such an iconic play, such a popular one, surely it must have been adapted for the screen many times (especially given the popularity of Christie’s books as source material for cinema)? But no; when the play was first staged at West End, one of the clauses in the contract was that no work on a cinematic adaptation could begin until the West End production had been closed for at least six months. And the play continues to be performed at West End…

But that, it seems, didn’t stop film-makers in other countries from using the story and making their own versions of it. The Bengali film Chupi Chupi Aashey (‘He Comes Stealthily‘) is an adaptation of The Mousetrap, and was supposedly the first Indian film to be based on a book by Agatha Christie.

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Sagarika (1956)

Every now and then, when I’ve reviewed a Hindi film (Mamta, Sahib Bibi aur Ghulam, Kabuliwaalah, Khamoshi) or even mentioned one (Devdas, Chori Chori), someone or the other has popped up and either informed me (or reminded me) that this film was originally made in Bengali.

It was a little different with Sagarika. This film nobody told me about. I happened to be trawling IMDB checking out the synopses of all of Suchitra Sen and Uttam Kumar’s films, and realized—even as I read the plot of Sagarika—that this was exactly the same story as one of my favourite Hindi films, Bimal Roy’s lovely Prem Patra. Could I resist the temptation to watch it? No.

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Chiriakhana (1967)

Sharmi has been reviewing one brilliant Bengali film after the other over at her blog. I ended up begging her to slow down, because I can’t possibly keep pace when it comes to obtaining—with subtitles, mind you—and watching so many great films. So what do I do? I watch and review a Bengali film of my own.

Chiriakhana (‘The Zoo’) is based on the famous crime novel of the same name by Saradindu Bandopadhyay. It features the detective Byomkesh Bakshi (which those of you who watched Doordarshan during the early 1990’s might remember from the superb TV series starring Rajit Kapur). The film was directed by Satyajit Ray, and though most feel that this is Ray’s worst film, it isn’t as bad as all that. It even won Ray a Golden Lotus at the National Film Awards.

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