This blog reminds me sometimes of a sort of railway platform—the type from the Sunil Dutt-Nalini Jaywant starrer, where a bunch of people end up spending several days in each other’s company, and then go their separate ways. Because, while there are some loyal friends who stick to this blog (and have done so over the years), the majority of people who comment on it are those who stay for a few months, a few weeks, maybe even just a few days, commenting like mad, and then vanish, never to be seen again.
One such person was a Malaysian, of Indian origin but settled in Australia, who haunted my blog several years ago. After some very hectic commenting on just about every post I published (and that included multiple comments, and involved conversations), she asked me for some Agony Aunt-ish advice offline, and having received both that as well as a shoulder to cry on, went off. I haven’t heard from her ever since.
But one thing she did manage to do while she was frequenting this blog: she told me enough about Malaysian cinema of the 50s and 60s to make me want to watch it. Something, I realized soon enough, that wasn’t going to be easy, because there didn’t seem to be too many Malaysian films of that era that were available with English subtitles.
I’ve persevered, though, and sometime back I found time one. Pendekar Bujang Lapok (The Three Bachelor Warriors) is the second in a highly successful series of films made by iconic film-maker and actor P Ramlee. It has been called one of the five best Malaysian films to be shot in Singapore, and considering I’ve just returned from a trip to Singapore, I figured it was time to watch this.