Ekti Raat (1956)

This, actually, was not the film review I was intending to post this week. But then, over the weekend gone by, I met Moon Moon Sen, and I was reminded (of course I would be!) of her mother, Suchitra Sen.

I was in Dehradun on October 11 and 12, attending an arts and literature festival. The guest of honour was Moon Moon Sen, still beautiful, and with a serene calmness to her that was—as someone mentioned—very ‘peaceful’ (to which Ms Sen replied that she has a horrible temper!) Moon Moon Sen was mostly involved in graciously felicitating those who participated in panel discussions and so on; I was thrilled to have her place a scarf around my neck. But the last session of the festival was a conversation with her, and it was very interesting. She answered questions about herself, of course, but also about her mother (“always, ‘Madam’, never ‘Mrs Sen’ or ‘Suchitra’” she recalled). Not just a star, but a mother (“I only knew her as Mummy”), and one whom young Moon Moon was obviously very protective about: she said she shielded her mother when Suchitra Sen had to make her way through a crowd. She had no qualms even about punching anyone who tried to get fresh with her Mummy.

I remembered, then, that I had a Suchitra Sen film review ready to be published. Here it is, a light-hearted comedy, directed by Chitta Bose, based on a story by Balaichand Mukherjee ‘Banaphool’ and with a screenplay by Nipendrakrishna Chatterjee.

The story begins in the Calcutta home of Shushubhon Dutta (Uttam Kumar) and his wife Anita (Sabita Chatterjee), who have been married a few months. The two are constantly bickering, and we see them in the middle of an argument even as the film starts. Anita is hot-tempered, Shushubhon likes to needle her.

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