Barnali (1963)

When I read the news of Soumitra Chatterjee’s passing away, my first thought was: I need to write a tribute, talk about how much I liked this actor. Then, reality crept in. It’s not as if I’ve seen too many films that starred Soumitra Chatterjee. Charulata, Kapurush, Jhinder Bondi, Aranyer Din Raatri, Sonar Kella, one of the three episodes of Teen Kanya… and that was it. I didn’t recall having seen any of his other films.

Which might sound odd; how could one like an actor so much based on only such a handful of films? But I suppose when you’re looking at quality rather than quantity, it can work. And Soumitra Chatterjee, even in the few films of his that I’ve seen, proved himself a memorable actor. Not just handsome, not just superficially charismatic, but also so very talented. His ‘coward’ of Kapurush is so very real, so flawed and believable a protagonist; his Mayurvahan in Jhinder Bondi is a deliciously evil portrayal of the flamboyant, boyishly attractive yet very wicked Rupert of Hentzau. It’s easy to see why a bored and neglected housewife would fall in love with this young man in Charulata, and he is Feluda. Sharp, intelligent, well-read (and intelligent and well-read are apt descriptions of the man in real life too, from what I gather).

But a full-fledged tribute, a run-down of all his best films: no, that was not something I thought I would be capable of. Instead, I decided to commemorate the life and career of Soumitra Chatterjee by watching one film I’d only heard of in passing, never really got down to seeing.

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Agni Pariksha (1954)

Or Ogni Porikkha, if you want to be phonetically correct.

Over the last twenty-odd years, I’ve heard countless Bengalis rave about Uttam Kumar and Suchitra Sen as the ultimate onscreen romantic couple. I’ve seen both of them act (separately) in a few (admittedly Hindi) films, and have been very impressed.
So, finally: an Uttam Kumar-Suchitra Sen film, and one that was a big hit too. Agni Pariksha: ‘trial by fire’.

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