The Ladykillers (1955)

Long-time readers of this blog probably know by now that I have a soft spot for suspense films, heist films, comedies, and—where these genres sometimes meet—films about bumbling crooks. The funny heist film, so to say, where everything goes wrong. Some months back, when I watched Gambit (which I enjoyed very much), a subsequent search for funny heist films threw up another suggestion that I’d heard of before: The Ladykillers. Like Gambit, this too starred Herbert Lom, an actor I like, and because I was fresh from watching Gambit, I thought why not give this one a try too.

The Ladykillers begins with the lady in question: sweet, somewhat scatter-brained old lady Mrs Wilberforce (Katie Johnson), who emerges from her house at the end of a lane and walks down the street nearby. Everybody around seems to know and like Mrs Wilberforce: people greet her, and when she reaches her destination—the local police station—the cops are indulgent. Mrs Wilberforce has come to clarify that her friend, another elderly lady who had informed the police station about spotting a spaceship, was actually misinformed… Mrs Wilberforce’s explanation is detailed and apologetic, and her earnestness shines through bright and clear.

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The Mouse That Roared (1959)

What is a country to do if its economy suddenly takes a nosedive? What if the country’s sole source of income is a product that’s suddenly no more in demand? Are economic reforms in order? Or a smart political move?

No; I’m not talking a 1950s tale of courage and enterprise in the face of economic disaster (not in the way one would’ve expected, at any rate). Not when you know that the star of this film—in a triple role, too, one of which is a woman—is the inimitable Peter Sellers. And not when you know that it revolves around a fictitious country, supposedly the smallest in the world, which decides that what its economy needs for a turnaround is to declare war on the United States of America.

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A Shot in the Dark (1964)

One final tribute on which to end the year: a goodbye to another of the many luminaries who made our films of yesteryears what they were. This time, I’m remembering Blake Edwards, the writer, director and producer who made such varied films as Operation Petticoat, Breakfast at Tiffany’s, The Great Race, Victor Victoria and the Peter Sellers Pink Panther series—and who was also famous for being the husband of Julie Andrews. Edwards died on December 14, 2010, aged 88, and leaves behind a formidable array of work—plus much admiration. Polls during his time behind the camera showed that Edwards was that rare personage in Hollywood, a director who was a marketable commodity!

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