Neither Here nor There: Rafi Sings for the In-Betweens

When, to celebrate the birth centenary (on December 24, 2024) of the one and only Mohammad Rafi, I compiled this list of my favourite Rafi songs for the top leading men of the 1950s and 60s, I was uncomfortably aware that I wasn’t doing justice to Rafi’s oeuvre. Even though I had tried my best to bung in mentions (and links) to many other songs Rafi had sung for these men. Because there were many other Rafi songs I could think of, which he had sung for actors absolutely opposite to these: extras, or actors who had woefully short-lived careers—in many cases men whose entire career might be said to hinge around one fantastic song that Rafi sang for them. A second Rafi list, arranged actor-wise, was therefore in order.

But in between the stars and the entities were a host of other actors who had the honour to lip-sync to Rafi’s voice. These were often character actors, or men who acted as villains. Even, in cases like Sanjay Khan, Premnath and Ajit, men who did appear in a fair number of films in leading roles, but cannot be said to have ever reached the heights of popularity or success of, say, a Dilip Kumar or Dev Anand, or even a Biswajit. They were the in betweens: not at all obscure, but not the Jubilee Kumar types.

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Ten Avatars of a Magician: The Genius of Sahir Ludhianvi

I am leery of attaching ‘best’ and ‘most favourite’ appellations to anybody or anything, no matter how much I may be fond of the person/creation/whatever in question. I tend to say that so-and-so song or film, for instance, is among my favourites; the same goes for actors, singers, directors, and so on. There are some whom I especially like, there are some for whom I will watch a film just because they’re in it. There are none whom I idolize and place on a pedestal and see no wrong in.

Sahir Ludhianvi may be one of the exceptions. This is one man whose genius blows me away. If I were to list my favourite Hindi songs from the Golden Period, based purely on the sheer memorability of their lyrics, the one lyricist who would lead the pack would be Sahir Ludhianvi. His versatility; his hard-hitting, often brutal, honesty; his occasional humour and his exquisite expressions of romance: all come forth in many, many songs composed across the three decades or so that he was actively writing songs for Hindi cinema.

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