This post has been in the pipeline for a while. I had been thinking about compiling a list of philosophical songs from classic Hindi cinema, and blog reader Kamini Dey’s request for a post with that theme served to spur me on. I got distracted midway, and decided to do a cynical songs post, but here it is, finally: a list of ten philosophical songs from old Hindi cinema that I especially like.
When I created a list of my favourite car songs, blog reader Ragni requested a list: of songs that feature women playing a piano. I riffled mentally through the film songs of the 50s and 60s, and quickly responded: there would be just too many; how could I choose just ten? Another reader, Chris, came up with a suggestion: songs only from black-and-white films.
When I actually got down to compiling this list, however, I realized how impetuous I’d been. A closer look at most of the piano songs that sprang to mind, and I discovered that even if it’s a woman singing (as in Tu jahaan-jahaan chalega or Mujhe tum mil gaye humdum), it’s a man sitting at the piano. Songs where a woman is the one actually playing the piano are, when I came to think of it, relatively rare. I had to, perforce, expand the scope to colour films too.
I don’t often need to take a taxi to get around, but when I do, I always steel myself, because 9 times out of 10, the taxi driver will have music playing—a CD or a radio—and 99% of the time, it’ll be some completely vile stuff with just a monotonous beat, and no melody to speak of.
Last Friday, I had to take a taxi (for a longish ride, moreover—Delhi to Gurgaon and back, nearly 2 hours in the taxi). Sure enough, the radio was turned on. And what a pleasant surprise!—this driver had tuned into a radio channel that seemed to play only old Hindi film songs.
Those two hours were total bliss, and I was reinforced in my belief that good music can make a long and otherwise boring car journey also pleasurable.
Sachin Dev Burman was born on October 1, 1906, a scion of the royal family of Tripura—and a king in the world of Hindi film music. From his first major hit—Mera sundar sapna beet gaya (Do Bhai, 1947)—on, Burman made a name for himself with songs that ran the gamut from folk to Western, from hauntingly poignant to unbeatably seductive (remember Waqt ne kiya kya haseen sitam? Remember Kya ho phir jo din?) To celebrate Burman Da’s music, therefore, this post.
To narrow down my list of S D Burman favourites to a mere ten, I’ve had to resort to a few self-imposed restrictions. All of these songs are, as always, from the 50’s and 60’s, and from films that I’ve seen. In addition, they’re songs that don’t just sound good, but are wonderful in other ways too: songs that I value not just for the music, but also for the lyrics, the picturisation, the feel of the song. Enjoy!