Charley’s Aunt (1941)

Two young men in Victorian England, eager to propose to their respective girlfriends, fix up a lunch date with the ladies, expecting that the aunt of one of the young men will oblige as a chaperone for the girls. However, the aunt, who has just arrived in England from Brazil, is called away elsewhere and sends a wire pleading her inability to come. Desperate, the young men seek a substitute as chaperone—and pick a friend of theirs, who then ends up spending the day juggling costumes, personas, and more.

That is the gist of Charley’s Aunt, a three-act play written by Brandon Thomas and first performed onstage in 1892. It’s a play I’d heard about often enough, but only got around to reading a couple of years back—and once I’d read it, I wanted to watch at least one cinematic adaptation of it (and yes, there are plenty of adaptations, including silent films as well as films in various languages, ranging from English to German to Arabic, the last-named in a couple of Egyptian versions of the film). Luckily enough, the best-known English adaptation of Charley’s Aunt, starring American comic actor Jack Benny in the lead role, is available even on YouTube (here).

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And Then There Were None (1945)

Since The Train was, all said and done (though I’m not convinced about it) a suspense film, I decided to stick to that genre for this post as well. And Then There Were None is a classic suspense film, based on Agatha Christie’s book of the same name. Christie’s book (originally titled Ten Little Niggers) is supposed to be the best-selling book of all time – 100 million copies sold to date, and with several cinematic adaptations as well.

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