A Christmas Carol (1938)

Merry Christmas!
It’s that time of the year again—and time for a tradition I’ve kept up on this blog ever since its inception. Time for a Christmas movie.

This time, wondering which film I should review, I came across this one, and it appealed to me at once, because I remembered Dickens’s classic story of an asocial and curmudgeonly miser whose life changes one Christmas. I had seen an animated version of A Christmas Carol ages ago on TV, I’d just read the novella that Dickens wrote to help tide him over during a hard spell when money was short. High time (and appropriate time) to watch the film.

A Christmas Carol begins on Christmas Eve in London. As crowds hustle and bustle through streets covered in snow, people rushing briskly about from one gaily decorated shop to another, a young man (Barry Mackay) goes sliding merrily down a little slope of snow. In the process, he makes friends with Tim Cratchitt ‘Tiny Tim’ (Terry Kilburn), who can’t indulge in such treats because he’s lame—and so Fred happily takes Tiny Tim on his shoulders and allows him a taste of the joy of sliding down a slope.

Fred gives Tiny Tim a ride

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The Three Musketeers (1948)

I admire producers and directors who gamble on completely stereotyped stars and cast them in roles one normally wouldn’t associate with them. For instance, I would probably not have thought of casting Dean Martin, with his playboy image and his singing star persona, as the drunk and pathetic deputy in Rio Bravo. I may not have considered Doris Day (screwball comedy!) appropriate as the stalked woman in Midnight Lace. And I most certainly wouldn’t have thought of casting ace dancer Gene Kelly as the lead man in this entertaining swashbuckler, which doesn’t have a single dance.

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Random Harvest (1942)

I am an unashamed romantic—but I have some stipulations. The romance mustn’t be the type that pops up out of the blue, just by two people looking at each other. It mustn’t consist of just staring, pop-eyed and with a silly grin, at each other. Most important, it must end happily. The ride into the sunset, or the fadeout on a heart-and-soul smooch, is of paramount importance.
That said, here’s one utterly lovely romance I saw a few weeks back. And then again yesterday, just because it was so wonderful.

Greer Garson and Ronald Colman in Random Harvest

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