The Three Worlds of Gulliver (1960)

A few weeks back, after years of telling myself I must read more of the classics, I finally got around to reading Jonathan Swift’s highly-acclaimed satirical novel, Gulliver’s Travels. Over a period of time, I’ve realized that books of this sort—extremely popular, appearing on just about every list of ‘must-read English novels’—are popular, too, among film-makers looking for material for screen adaptations. Of course, given that Gulliver’s Travels would require (I guessed) a fair bit of special effects, I had little hope that I’d come across anything from before the 70s; but guess what? It’s there: The Three Worlds of Gulliver, directed by Jack Sher and with special effects by Ray Harryhausen.

The story begins in Wapping, England, in 1699, where a physician, Lemuel Gulliver (Kerwin Mathews) is torn between his fiancée Elizabeth (June Thorburn) and his profession. It all actually boils down to his love for Elizabeth: she deserves more than to live in a hovel and subsist on next to nothing, because Gulliver is such a sweet welcome mat that he goes around treating people left, right and centre, often for free, or for payment in kind. Like cabbages and hens that run away.

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Island in the Sun (1957)

RIP, Harry Belafonte.

I have an admission to make: Harry Belafonte was the first singer I ever crushed on.

When I was a child, my parents had a large collection of LPs, and among the many singers we heard on those, the ones who stood out for me were Connie Francis, Pat Boone, Jim Reeves—and Harry Belafonte. I still remember a Belafonte album (Belafonte Sings of the Caribbean) we had, which was one of my favourites. This one was also present among the LPs at my maternal grandparents’ home in Kolkata, which we visited sometimes for Christmas. My mother’s father had worked for the Indian music giant HMV, so their home had a massive collection of LPs, with Belafonte front and centre. We didn’t just listen to his carols and hymns at Christmas; we listened to every song he’d made popular, from the soulful Jamaica Farewell (one of the first English language songs I learnt to sing) to hilarious ones like Matilda, Man Smart Woman Smarter, and the classic There’s a Hole in the Bucket (which, by the way, is also a favourite with my daughter: she and I sing it together and always end up having a good laugh).

I loved his voice. I thought the photo of him, smiling and so handsome, on the LP cover, showed that he didn’t just have the most fantastic voice, he was also easily the best-looking of all the singers.

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Salome (1953)

Easter’s here once again, so a review of a film with a biblical theme seemed in order.

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