The other day, someone commented on my long-ago list of ten favourite Robert Mitchum roles. It reminded me that I hadn’t watched a Mitchum film in a long, long time (unpardonable, considering he’s one of my favourite actors). And, since Mitchum’s role as the chilling Harry Powell in The Night of the Hunter is one of the landmark roles of his career—well, it did seem appropriate to review the film.
This is one of the few Hitchcock films I didn’t see in my younger years. And, considering that Hitchcock is one of my favourite directors, and Gregory Peck one of my favourite actors, that is odd indeed. Perhaps I should put it down to the fact that The Paradine Case is not one of Hitch’s best-known works; in fact, he more or less washed his hands off it. And Peck, too, seems to have not really liked it.
“The trial of of Leonard Vole for the murder of Emily French aroused widespread interest. In the first place the prisoner was young and good-looking, then he was accused of a particularly dastardly crime, and there was the further interest of Romaine Heilger, the principal witness for the prosecution…” — Agatha Christie, The Witness for the Prosecution
Tyrone Power’s last full-length appearance on screen (he died while filming Solomon and Sheba a year later), Witness for the Prosecution is also one of his most famous films. Surprisingly, not mainly because of Power—his role in it, though pivotal, is actually quite small—but because of the overall brilliance of the film: the excellent acting, Billy Wilder’s direction, and a very good adaptation of one of Agatha Christie’s best-known short stories.
Easter’s here once again, so a review of a film with a biblical theme seemed in order.
David Lean, talking about Mitchum, once said, “Mitchum can, simply by being there, make almost any other actor look like a hole in the screen.”