Today is the birth centenary of Satyajit Ray: he was born on May 2, 1921, in Calcutta.
I am not going to expend words and energy in writing even a short biography of Ray: is there any need, after all? Because Ray is too well-known, too well-respected, for him to need any introduction. If there’s one Indian film-maker who’s acclaimed even abroad, it’s Ray. And when you think of how he didn’t merely direct great films, but wrote them, composed music for them, designed costumes for them—and wrote novels and short stories, designed typefaces, created art: you realize just how multi-faceted a genius was Satyajit Ray.
Kapurush O Mahapurush (The Coward and The Holy Man) isn’t one film, even though these two short films—each just over an hour long—were released together, as a sort of ‘combined pack’. Unlike Satyajit Ray’s other well-known set of short stories-clubbed-together film, Teen Kanya, the two component stories of KapurushOMahapurush have barely anything in common (except possibly a central male character who drives—or does not drive—the story). I watched these two short films one after the other and thought of writing separate reviews for each—then decided that they’re best reviewed the way I saw them. Together, one after the other.