I tend to associate Hrishikesh Mukherjee with films that focus on the everyday lives of people like you and me (I’m assuming here that you aren’t a multimillionaire, a film star or something equally glamorous; I’m not, at any rate). Anupama, Anuradha, Anand, Satyakam—all of them amazing films whose protagonists are very real. Asli-Naqli is perhaps a little different, because it begins in the world of the spoilt young heir of a very rich man.
Dustedoff 