And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin:
And yet I say unto you, That even Solomon in all his glory was not arrayed like one of these.
-Matthew 6: 28-29, King James Version
I am very familiar with this passage from the Bible (part of the Sermon on the Mount, this passage is part of one of my favourites—a beautiful little piece of scripture on how futile it is to worry), but when I first heard of the name of this film, the relevance of its title didn’t strike me. When I started watching it, I realized: yes, the lilies of the field are impermanent, evanescent, depending on no-one and yet not even doing anything very visible to keep themselves alive. But they—like all the flowers of this world, especially the wild ones, with no-one to care for them—are amongst the most beautiful of God’s creations.
Not an exact parallel with the protagonists of this heart-warming and sweet little tale, but close. And with some subtly-put messages about being content with one’s lot, yet pushing on, working hard.
This was not the film I’d been intending to review this weekend.
The film I’d meant to watch was, instead, quite a different one: a Viking/King Arthur historical, the Robert Wagner-Janet Leigh-Debra Paget starrer Prince Valiant (1954). Why, then, am I reviewing this film, which has nothing to do with Vikings or history? Simply because Prince Valiant turned out to be—as a blog reader had so succinctly described The Long Ships in a comment—a ghanta film. (ghanta, for those not familiar with this particular usage of the Hindi word, refers to something cheesy, inferior, and generally avoidable).
Besides the fact that it consisted of slightly pointless (not to mention extended) violence and some very predictable romance, Prince Valiant had Robert Wagner looking like a masculineAmelie, which really put me off. To recover, I decided to watch Charly instead.