Jaagte Raho (1956)

As I’d mentioned in my last post, I’m not much of a Raj Kapoor fan. I have seen most of his films, but I like very few of them. Jaagte Raho, a flop when it was first released (even though it won an award at Karlovy Vary) is one of the exceptions: an RK film that I found engrossing and worth the watch. Part of it probably is the fact that it features a veritable who’s who of 50’s Hindi cinema character actors. Part of it is due to Salil Choudhary’s superb music. And more than that, it’s because this is a well-scripted story, socially relevant in a tongue-in-cheek way.

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Raat aur Din (1967)

I’m always on the lookout for old, offbeat Hindi films. Something without the hackneyed romances, the clashes between rich/poor, urban/rural, good/evil, the sudden breaking into song and the neat tying up of all loose ends once the regulation three hours are up. Don’t get me wrong; I have nothing against masala films—some of my favourite old films are masala to the spice-sodden core. But somehow a film like Kanoon, Ittefaq, Anokhi Raat, Kabuliwala or Dekh Kabira Roya, each unusual in its own way, has a certain je ne sais quoi. So does this, Nargis’s last film. There’s something a little hat ke about a film in which the romance is really quite minimal, and the strange light-and-shadow personality of a schizophrenic woman is the main focus of the plot.

Nargis in Raat aur Din

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