Zabak (1961)

Zabak is a film I’ve been wanting to watch for a while, mostly for Shyama. I like Shyama a lot, and as far as I know, this is one of the rare colour films in which she acted as a lead. Plus, given my penchant for raja-rani films, I thought this might be worth a try.

Zabak (Mahipal) is the son of a healer and hamaam owner named Hassan Shah Isfahani (?). Hassan Shah is much acclaimed as a man who knows his medicine, and everybody around, from the Haakim (the Lord) of Isfahan to the man in the street, comes to him for relief from a variety of ailments. Zabak is a happy-go-lucky sort, spending his time joking around town, and romancing Zainab (Shyama), the daughter of the Lord of Isfahan.

Continue reading

Pyaar ki Baatein (1951)

I came across this film while I was doing research for my post on Khayyam (who composed two songs for Pyaar ki Baatein) and I was immediately intrigued. Because this film starred somebody whose career I’ve always been a bit baffled by. Trilok Kapoor, younger brother of the stalwart Prithviraj Kapoor, and uncle of three immensely popular leading men—Raj Kapoor, Shammi Kapoor and Shashi Kapoor—had the looks and the talent to make it big (not to mention the family connections, so important in the Hindi film industry), but why did his career veer away into the realms of mythologicals? Why did a man who starred opposite famous actresses like Noorjehan and Nargis (in Mirza Sahiban and Pyaar ki Baatein respectively) end up playing Shiv (or other mythological characters) in one film after another?

I still don’t know, and watching Pyaar ki Baatein only befuddled me further on this count. Because it’s exactly the sort of film, I think, that should have led Trilok Kapoor to star in more of the raja-rani type of films that so many (in my opinion, less attractive) actors, like P Jairaj and Mahipal, made their own.

Continue reading