Riso Amaro (1949)

I watched this film for Vittorio Gassman, whom I’ve seen in several other films I’ve liked (I Soliti Ignoti and La Grande Guerra among them). From the very brief description I’d read of Riso Amaro (‘Bitter Rice’) on IMDB, I knew that it was about a jewel thief who, on the run from the police, hides out among workers in rice fields. That sounded like it had potential for humour (why I assumed a Gassman film would be a comedy, I don’t know), so I watched it. And no, Riso Amaro is not funny. Quite the contrary.

The film begins on a railway platform. While a radio announcer gives an introduction to what’s happening around him, hundreds of women mill about, climbing into special trains, settling down… it is the season for planting rice in Northern Italy. As the radio announcer tells us, every year at this time, hundreds of women leave their usual jobs in factories and shops and salons, as seamstresses and more, to go to the rice fields. They will work there for a few weeks, planting and nurturing the precious rice…

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La Grande Guerra (1959)

My original plan had been to watch and review Neecha Nagar, and follow it up by watching and reviewing Kurosawa’s Donzoko (also based on The Lower Depths). By the time I’d read Gorky’s play and seen Neecha Nagar, that plan had changed a bit—because I was feeling sorely in need of a funny film.
La Grande Guerra was what I chose, because it had come highly recommended by friends whose judgment I trust.

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