It has been a nerve-wracking past few months. And just as I thought things couldn’t get much worse—what with the violence in Delhi, coming on the heels of increasingly acrimonious and violent disputes regarding CAA/NRC/NPR—coronavirus struck, and we, as a country, have ended up in lockdown.
And now, this news came. Nimmi, 88 years old, passed away on March 25.
I will admit that my views on Nimmi have varied considerably. She is one actress I cannot claim to love in every role, but again: she’s not an actress I cannot bear. She’s shone in some roles; in others not so much. But she’s beautiful, and she’s had some lovely songs picturized on her. Peppy songs, heart-wrenching songs, songs of love and songs of despair. Here are ten of my favourite Nimmi songs (all songs to which she lip-synced), all—as usual—from pre-70s Hindi films that I’ve seen. As always, these are in no particular order.
1. Mera salaam le jaa (Udan Khatola, 1955): When I wrote of ‘peppy’ songs picturized on Nimmi, this was the one I was thinking of. Nimmi here is the leader of a group of girls riding through the countryside and watching an aviator flying above in his aeroplane. He cannot possibly hear them, but that doesn’t deter her (and her sahelis) from singing a greeting to him. A greeting, and a warning: there’s a storm ahead, beware. Nimmi is absolutely beautiful in this film; if I had to name my top favourite song when it comes to Nimmi looking gorgeous, it would be O door ke musaafir, also from Udan Khatola—but Mera salaam le jaa comes a close second. With her curly hair floating in the breeze, and that slightly lop-sided and attractive smile, she’s very pretty indeed.
2. Intezaar aur abhi (Chaar Dil Chaar Raahein, 1959): Chaar Dil Chaar Raahein was a film I first watched for Shammi Kapoor—he’s one of my favourite actors—and, though the film (which would have been one of Hindi cinema’s first multi-starrers) had a good pairing between Shammi and Kumkum, the love story that really enchanted me was that of the characters played by Nimmi and Ajit. He is driver to an insomniac nawab. She is a skilled gaanewaali—and, because of this talent, she is employed by the nawab to sing him to sleep (only when he is asleep can she leave; the driver will take her home). Through the long, long night, she sings, lulling the nawab to sleep. Singing, even when she is exhausted. Singing and waiting for the dawn that takes so long to arrive. A beautiful, gentle song, and Nimmi is as gentle and lovely.
3. Tum na jaane kis jahaan mein kho gaye (Sazaa, 1951): I have a special fondness for this song, because the violin for Tum na jaane kis jahaan mein kho gaye was played by my uncle, David Vernon Liddle. In Sazaa, Nimmi played one of those characters for which she got typecast pretty early (in Barsaat, Aan, Amar, and many other films, she played the often timid, easily brow-beaten young woman who seemed to always get the short end of the stick). Here, she was a poor mute girl who, working at the home of a rich woman, found her mistress bringing home an injured man—the poor maid’s one-time sweetheart, from whom she’s been separated by a cruel fate. That same cruel fate now sets about dealing yet another blow, with the mistress falling in love with the maid’s ex. Ek jaan aur laakh gham, ghutke reh jaaye na dum (one life and thousands of sorrows: I may suffocate under the weight of them): so vivid a description of this woman’s plight. The song is hauntingly beautiful, Lata’s voice is flawless and sublime—and Nimmi’s portrayal of her character’s misery is just right.
4. Ae mere dil kahin aur chal (Daag, 1952): Nimmi acted in several films opposite Dilip Kumar, of which Daag was one of the earlier ones. For me, at least, this was a relatively forgettable film—but for Ae mere dil kahin aur chal, a wonderful song about wanting to be free of the world and its sorrows. The versions sung by Talat Mehmood, one slow and one fast (but both ‘sad’ songs), are probably more famous, but I also love this version by Lata. It’s a deathbed scene: Nimmi’s character is tending to the dying mother of the man she loves, and the old lady begs her to sing the song he used to sing. A poignant scene, and a short, slow version of the song.
5. Main piya teri tu maane ya na maane (Basant Bahar, 1956): Basant Bahar was one of many films that starred Bharat Bhushan as a singer—and, naturally, that meant he got to lip-sync to some superb classical-based songs. Fortunately, Nimmi (who acted the love interest of the singer) got some good songs too. Of these, this is my favourite: she sings, insisting on her love for him, whether he likes it or not. She dances, she flirts, she makes promises of undying love. Nimmi is all charm and coquetry here: very pretty.
6. Udi-udi chhaayi ghata (Amar, 1954): Nimmi’s role in Amar was both representative of the typecasting Nimmi was often subjected to (the shy, naïve village girl), as well as beyond that (the naïve village girl ends up being raped by the man she has fallen in love with). In this song, towards the beginning of the film, well before that ghastly episode occurs, she traipses through the countryside, past fields and river, through the woodlands, singing about the coming of the monsoon. Not just a good song, but also a song that’s beautifully picturized, what with the scenic views, the light and shade chasing each other across the frames, the water and the trees.
7. Dil ka diya jalaake gaya (Akashdeep, 1965): Nimmi didn’t just get cast as the timid, constantly suppressed and brow-beaten belle, she also got cast—in several films—as the disabled woman: mute in Sazaa, blind in Pooja ke Phool—and mute again in Akashdeep. Where Akashdeep differed from the others was in showing a woman who finds happiness despite her disability, and without having to take recourse to much weeping and self-sacrifice along the way. Dil ka diya jalaake gaya is sung (her character lip-syncs to the song being played on a record player) in the first flush of that joy: a man, an eligible one (and a very sane one, I’d add) has fallen in love with her. A beautiful song, and the soft glow of Nimmi’s expression is a lovely glimpse into the reaction of her character to this situation.
8. Allah bachaaya naujawaanon se (Mere Mehboob, 1963): Mere Mehboob was an unusual film in that though Sadhana played the lead female role, two other actresses, both leading ladies—Nimmi and Ameeta—also played important roles in the film. Nimmi here played elder sister to Rajendra Kumar’s character, a sister who has devoted her life to educating her little brother, even if it has meant giving up her own personal life and becoming a dancer. A dancer, of course, wasn’t a ‘respectable’ profession, as emerges in the course of this performance: as her embarrassed brother takes his seat among the audience, he overhears lascivious comments being passed about his sister (not that anybody knows she’s his sister). Nimmi does little in the way of actual dancing—that is left to the other dancers, including Madhumati—but yes, her character is the focus here.
9. Ae mere maalik mere parvardigaar (Sohni Mahiwal, 1958): Nimmi’s talent for being able to portray the distressed and despairing was rather apt for Sohni Mahiwal: in this classic tragic romance, Sohni—believing her beloved Mahiwal (Bharat Bhushan) to be dead, does not resist when she is married off to a potter (Om Prakash). She is not just too sad, she’s also in a daze where she doesn’t really know what’s happening: at times she even thinks it’s Mahiwal she’s marrying. But when it’s time for her bridegroom to consummate the marriage, Sohni regains her reason long enough to offer up a prayer, begging the Almighty to save her from this. It’s a haunting song, sung with minimal instrumentation (just a brief beat every now and then), and Nimmi is beautiful—and very convincing as the desperate woman, reaching for the one support she can think of.
10. Barsaat mein humse mile tum (Barsaat, 1949): And, to end, a song from Nimmi’s very first film, Barsaat. Nimmi—born Nawab Bano—entered the film industry thanks to her mother Wahidan, who was a courtesan, singer and actress, and had good connections in the industry. One of her friends was Mehboob Khan, who (knowing Nimmi’s interest in cinema), invited Nimmi to watch the shooting of his film Andaaz. On the sets of Andaaz, Nimmi met Raj Kapoor, who was then about to begin Barsaat. RK was charmed by Nimmi’s shyness and thought she would do well as the innocent village girl who falls for a city slicker in Barsaat. The rest, as they say, is history.
Here, Nimmi’s character and her friends stage an outdoor performance of song and dance for the two ‘shehar ke babu’ (gentlemen from the city). Her demure shyness borders on the gauche, but she’s still pretty. And it’s quite an iconic song.
Goodbye, Nimmi. Thank you for the films.
A good post with an excellent collection of songs.
Except the one from Sohni Mahiwal (which I heard for the first time) all are my favourites too.
I must confess, Nimmi was never my favourite, I remember her weepy face always. God knows why she accepted similar roles in majority of the films.
But if I think now, a number of my favourites are picturised on her.
I would add one of my other favourites,
shikayat kya karoon dono taraf
Yes, it’s sad that Nimmi got typecast in weepy roles so early on. The characters she played were mostly so depressed (and depressing) that they weren’t fun to watch. But she did have some great songs. Shikayat kya karoon was new to me. Nice song, thank you!
One more peppy song picturised on nimmi.
From Puja Ke Phool Meow meow meri sakhi
A sad one, making her perform quite naturally. Weepy weepy Kadar jaane na
Shama has some excellent songs by Kaifi Azmi
Ek jurm karke Hum ne
Dil Gham Se Jal Raha Hai
Lastly, the one where Suraiya provided playback to Nimmi. Dhadakte dil ki tamanna
Though I know it wasn’t a playback exactly.
I really like Dhadakte dil ki tamanna, beautiful song. The others too I like, except for Meow meow meri sakhi. I find that very irritating!
Actually, only the first two lines have been picturized on Nimmy. The rest of the song is on Suraiya herself!
That was why it wasn’t included in my list. ;-) Lovely song, though.
RIP Nimmi. Atleast be glad that it wasn’t the virus’s doing.
Anyways, here’s a good Tamil artsy flick to watch. A handkerchief will come in Hindi :). Thankfully, there are subtitles.
Thanks for the link to the film! I will bookmark it and try to watch it sometime soon.
She lived a full life. She lived in better times. She rubbed shoulders with icons. And she carved a permanent niche for herself in Bollywood.
Most importantly she left at the right time.
RIP Nawab Band.
Yes, she certainly lived in better times. And she seems to have lived a full life, enjoying a fruitful career as well as a satisfactory personal life. RIP.
RIP, Nimmi. It was very sad to hear the news. On YouTube, I had just seen glimpses of some interviews she had done very recently, and I was happy to see she was still around and telling stories of the old days. But no more…
This is a good list (as usual), Madhu. Regarding Uran Khatola (or “Udan…” as some people transliterate it :) ), I love every song that she starred in in that film. The music was great, and so was she. I recall that when I posted a bunch of Nimmi songs for her birthday in 2012, I didn’t even know about Uran Khatola yet, and other people recommended it to me. And then, later, I knew why it was the first Nimmi film that anyone should recommend.
I have wanted to see Basant Bahar for maybe a decade – ever since I saw the classical dance that she did in that film with Kumkum – and I’ve wanted to see Daag, which I actually found out about when I was looking for more songs performed by Usha Kiran (it looks as though they were both great in that film!).
But the clip that I wanted to share here is from Bhai-Bhai. Back in the summer of 2008, that film provided me with one of my favorite screen caps, from the song that Nimmi starred in called “Is Duniya Mein Sab Chor Chor,” which read in the subtitles as “Everyone Is A Thief In This World.” At the time, I thought it could serve as a perfect commentary on the times we were going through here in the U.S. during the [then-]Great Recession. Plus, it was just a lot of fun. And I still love it – one of her great “peppy” numbers, right? (Unfortunately, I can’t find an English-subtitled version to post now, but I guess most Dusted Off readers don’ t need one. :) ).
” “Is Duniya Mein Sab Chor Chor,” which read in the subtitles as “Everyone Is A Thief In This World.”
You’ve given me an idea, Richard. :-) Yes, this would be such an apt song for the times. Then in the US, perhaps, but here in India, it seems to be pretty much an everyday affair these days. It’s a fun, peppy song too (and Bhai-Bhai had another jolly number picturised on Nimmi and Kishore Kumar: Mera naam Abdul Rehman).
It’s been many years since I watched Udan/Uran Khatola (and, I personally think, it’s fine to use either spelling, since there’s no equivalent consonant in English for the Hindustani sound, which would be somewhere between a d and an r.
ONE OF THE LAST LINKS TO THE LEGENDS OF THE HINDI MOVIE INDUSTRY HAS LEFT FOR HER HEAVENLY ABODE . THOUGH SADDENING HUMANS ARE HELPLESS BEFORE THE MERCILESS FATHER TIME.RIP NIMMI
True. May her soul rest in peace.
Madhu, do you realise I’ve posted mostly the same songs in the links I included in my tribute? :) And I know you only read my post after you published yours!
The funny part is that I dithered between writing a list of ‘My Favourite Nimmi Songs’ (of which there are plenty!) or a ‘The Greats’ post and finally settled on the latter. She’s one of the few actresses of the time who seemed to have had a very content life.
” She’s one of the few actresses of the time who seemed to have had a very content life.”
Thank goodness for that. Yes, so many of her contemporaries seemed to have been exploited left, right and centre by lovers, friends, families. And been tossed around here and there. It’s refreshing to hear of one who was happy in her personal life, from what one can tell.
“Madhu, do you realise I’ve posted mostly the same songs in the links I included in my tribute? :)”
That is why Sadu wrote that soul sisters poem about us! :-D
I confess, I associate the word “bechari” with Nimmi; she seemed to have made a career of playing one. How wonderful to find out that in real life, she was anything but a “bechari.”
Here’s a lovely song with a smiling Nimmi in one of her more light-hearted roles.
In aankhon ko tumhe aapna bana ki – Daal Mein Kala/Asha Bhonsle/C. Ramchandra/Majrooh Sultanpuri
Nimmi also features in one of my favorite classical songs from Hindi films:
Ritu aaye ritu jaaye – Hamdard/Lata Mangeshkar-Manna Dey/Anil Biswas
LOL! I totally hear you, Shalini, about the bechari appellation! In fact, there was a moment when I was writing up this post when I nearly wrote about ‘Nimmi’s character’s bechaargi‘ – then decided that might be a bit uncharitable, given I was writing a tribute for her (no matter if it’s actually true).
Thank you for those songs. Ritu aaye ritu jaaye is a lovely song. I’ve heard it, but had never seen it, so didn’t realize it was picturised on Nimmi. I don’t think I’d ever heard In aankhon ko tumhe before. Nice song.
It was nice of you to post a tribute to a good artist. Bollywood is unkind to it’s old stars since there was hardly any news,comments by leaders of the industry. I didn’t realise that I had seen quite a few of her movies. When I read that Barsaat released in 1949 and that she passed away at the age of 88, meant that she must have been just 15-16 when she started shooting for it. Very early start. Rest in peace, Nimmiji.
Yes, very early start, indeed. And a successful career too.
Madhu, really missed this song in the list from “Amar”.
Yes. I’m not fond of Na milta gham toh barbaadi, which is why it’s not on my favourites list. :-)
In previous film by Raj kapoor “Aag”, there were 3 actresses named Nimmi and he liked the name so much that Nawab Bano received the same. Short for Nirmala and the acresses were Nargis, Kamini Kaushal and Nigar