This is one of the few Hitchcock films I didn’t see in my younger years. And, considering that Hitchcock is one of my favourite directors, and Gregory Peck one of my favourite actors, that is odd indeed. Perhaps I should put it down to the fact that The Paradine Case is not one of Hitch’s best-known works; in fact, he more or less washed his hands off it. And Peck, too, seems to have not really liked it.
Having watched this movie (released in the UK as Perfect Strangers), I’m realising I need to watch more of Robert Donat. He—and Deborah Kerr, who overdid the saccharine act in Quo Vadis—pull off this unusual tale of a wartime romance with ease. Frankly speaking, wartime romances à la A Farewell to Arms don’t thrill me. I hate the angst, the fear of the loved one copping it, etc. Too much stress.
So Alexander Korda’s Vacation from Marriage, never too blue, never really distressing and with a mostly predictable end, was perfect. Sweet!