Street Singer (1938)

Look what I found!

Considering some of you might not understand the reason for all the fuss and excitement, I ought to back up and provide some context. 

I must admit that till fairly recently, I’d never been a huge fan of 1930s Hindi film music. My first brush with the decade was when I watched Main ban ki chidiya banke as a teenager—it was showing on Chitrahaar—and was in splits because it was so funny. Ashok Kumar was so awkward, the singing was so nasal, the entire song was so far removed from what I liked (the songs of the 50s and 60s), that I couldn’t bring myself to regard the song with anything but mirth. 

I still know very little about the songs of the 30s, and would be hard put to it to name even ten songs from the decade. But if asked to name just one song from the decade, the song that I would name without even stopping to think would be the utterly brilliant Baabul mora naihar chhooto (I actually went out on a limb and named this song as my pick for the 30s in this article I wrote to commemorate hundred years of Indian cinema).

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Ten of my favourite songs from films I haven’t watched

… and which I am not likely to get around to watching, at least not in the foreseeable future.

Because today is the tenth birthday of my blog, and this is my way of wishing my blog a happy birthday.

Ten years ago, when I launched Dustedoff (with this post), I had imagined it to mostly be a collection of reviews—Hindi and Hollywood films—and some song lists. Dustedoff evolved down the line. A cousin who commented on one of my earliest posts asked if I would review foreign language films, and when blog reader Bawa, visiting Delhi, she gifted me a DVD of a Spanish film, which became the first non-Hindi, non-English film I reviewed on this blog. Still later, a friend suggested I combine my website (which was all about my fiction writing—my books, articles, and short stories) with my blog, so that happened, expanding the scope of Dustedoff. What you see today is still primarily a blog about old cinema (the period of cinema I focus on is one thing that’s remained consistent), but it’s now also about travel and food and history and other things that interest me.

Of all that I write about on this blog, the most popular posts—by a very, very great margin—are the ones that feature song lists. When I compiled my first song list, one restriction I imposed on myself (and how controversial that has turned out to be!) was that I would feature songs only from pre-70s films I’d already watched. People asked me why this was so; some urged me to rethink that decision; some thought I was dumb to limit myself so. But I took that decision (partly because there are some songs, I realize, that need to be understood in context, partly because it helps make compiling lists more challenging for me, and partly because it encourages me to watch more cinema, including obscure stuff). And that is a decision I’ve stayed with.

But. Today is Dustedoff’s 10th birthday. A celebration is in order, I think. And my way of celebrating is to let my hair down a bit—with ten songs I really like but which I’m unlikely to ever get to post, because it’s equally unlikely that I’ll ever get to watch these films. In most cases, the films seem to have completely disappeared off the radar; I have spent years looking for them, both in DVD/VCD format, and on the Internet, but they seem to have vanished. Rare films, or lost films. Perhaps some of these will emerge someday and I’ll be able to watch them, but for now, that seems like a remote possibility. (Note: These are not songs that were originally part of a film but were later deleted—so CID’s Jaata kahaan hai deewaane, or Shikast’s Chaand madham hai don’t qualify, since I have seen the film in question; it was just that the song was missing).

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Songs for all times: Celebrating 100 years of Hindi film music

Late last year, an editor from ForbesLife India wrote to me, telling me they’d be doing special ‘100 years of Indian cinema’ editions this year. Would I be interested in contributing an article? That was a no-brainer (or so it seemed), but when I got over my initial excitement and began to think, I realised that:
(a) I know virtually nothing about Indian cinema in general. Hindi cinema, yes; other Indian cinema, almost negligible.
(b) It was too vast a canvas. What would I write?

Much thought later, I offered to write about something I know something about: Hindi film music. What follows is a version of the article that appeared in the April-June 2013 issue of ForbesLife India. Do buy yourself a copy to read the final article—and to read some more interesting writing on a century of Indian cinema.

Jaan-pehchaan ho, from Gumnaam

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