Lata Mangeshkar: Ten Composers, Ten Songs – Part 5

The first post in this series of song lists was posted as a tribute to Lata Mangeshkar when she passed away in early 2022. I had previously posted a song list featuring Lata in Ten Moods, so this time I wanted to be different: to showcase Lata’s work with different music directors. Naturally, given Lata’s oeuvre (even till just 1970, which is my self-imposed cut-off for this blog), that list, with just ten composers included, was far from enough. I ended up doing several more posts in the series, and every time, some reader or the other would comment: “What about so-and-so composer? How about this song?”

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Bhabhi ki Chudiyaan (1961)

Some days back, a blog reader wrote to me (after having recommended several Hollywood films over the past weeks) to tell me that I was ‘wasting my time’ watching and reviewing ‘silly Indian films’.

I was initially too furious to be able to respond, but I eventually wrote back to say how unjustified and insulting this comment was. This, after all, is my blog. Nobody— not my family, not my friends, not the people who might be considered to have some sort of say—tells me what to watch. Recommendations, requests: more than welcome. Judgemental and rude remarks, no. You do not govern how I spend my time.

Once I simmered down a bit, I decided this called for a tribute to ‘silly Indian films’. So, for the duration of August 2022, I’m only going to be focusing on Indian cinema. Not one film from outside India is going to feature on Dustedoff all through this month.

So, to kick off ‘Silly Indian Film Month’, a review of a film I’ve been meaning to watch for a long time now.

Bhabhi ki Chudiyaan begins by introducing us to Mohan (Master Aziz), who lives with his elder brother Shyam (Balraj Sahni). Shyam and Mohan only have each other for family; their mother died giving birth to Mohan, and their father died a few months later. On his deathbed, he entrusted to Shyam the care and bringing up of Mohan. Shyam works as a clerk, and in order to be able to focus on Mohan’s education and upbringing, hasn’t even married. The two brothers somehow make do, but on days such as this—when Shyam has been too busy to make it to Mohan’s school function, where Mohan is getting various prizes—there is angst. Mohan is annoyed and tearful.

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