The List of Adrian Messenger (1963)

YouTube suggested this film to me, and when I looked up a synopsis, it sounded fairly interesting. A man asks a favour of a friend who is ex-MI5: here is a list, of ten men, living in various parts of Great Britain, nothing seemingly to tie them together, no similar occupation, no similar background, nothing. But find them , ask each of them if all is well, whether they’re still living at the addresses given in the list.

The important word here being ‘living’. Because, when the friend—Anthony Gethryn (George C Scott) sets about tracking down the men, it doesn’t take him along to find out that most of the men on the list are already dead, killed in accidents over the past five years. They couldn’t really be accidents, could they?

Very interesting. Rather like And Then There Were None (which, by the way, is referred to more than once in the course of The List of Adrian Messenger). I decided this was a film I had to watch.

When the credits began to roll, I sat up, because suddenly here were familiar names, one after another. Tony Curtis. Robert Mitchum. Burt Lancaster. Kirk Douglas. Frank Sinatra. Why on earth hadn’t I heard of this film before, I wondered. Tony Curtis, Kirk Douglas and Robert Mitchum, especially, are among my favourites, and even if I haven’t seen all their films, I am mostly at least aware of many of the films they worked in. And one that seemed like such a casting coup? How come I hadn’t known about this?

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From Here to Eternity (1953)

1941.

Private Robert E. Lee Prewitt (Montgomery Clift) arrives at a military base in Hawaii and presents himself before the commanding officer, Captain Dana Holmes (Philip Ober). The captain is a boxing enthusiast, and he’s licking his lips at the thought of having added one of the army’s best boxers to his clutch: Prewitt is a famous middle-weight, isn’t he. No sir, Prewitt says. He was; he doesn’t fight now. Not after that incident—Holmes obviously knows what Prewitt’s alluding to, but we get to know only later, when Prewitt meets and falls in love with a prostitute named Lorene (Donna Reed).

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Judgement at Nuremberg (1961)

My mother was brought up in a family ruled by a very orthodox old curmudgeon—sorry, gentleman—who believed cinema was inherently evil. This was my great-grandfather, and thanks to his restrictions, the only films my mother and her siblings were allowed to watch were The Ten Commandments and Quo Vadis. After his death, though, the family let themselves go to seed. No, they didn’t start watching all the porn they could lay their hands on (I doubt there was much floating around in the Calcutta of the 60’s, anyway), but they certainly began seeing some films that, while not evil by any stretch of imagination, would probably not have won great-granddad’s approval. The Innocents. The Three Faces of Eve. And this one, a thought-provoking, disturbing film that raises a lot of questions.

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