The Search (1948)

I am not one of those people who cry at the drop of a hat when watching a film. The high melodrama of most Hindi films, for instance, leaves me mostly cold. Lovers separated rarely elicit a tear, and people dying might make me feel vaguely sorry, but not much more.

What does make me feel really sad is when I see children in distress. Children lost, children helpless and in pain, children scared and hungry and lonely. (And yes, very importantly: child actors who do a good job of acting out these characters)… that is what can bring a lump to my throat.

And that is what The Search did to me.

Set in Berlin, just after the end of World War II, The Search begins with a large group of children, rescued from concentration camps and other places, being brought to an Allied shelter. Thin, ragged, their eyes huge and frightened, these children are, to all purposes, orphaned. Perhaps some of them do have a parent, long-separated from the child by the Nazis, but it will take time to find that parent. And in most cases, there is no hope at all: the child is all alone in the world.

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From Here to Eternity (1953)

1941.

Private Robert E. Lee Prewitt (Montgomery Clift) arrives at a military base in Hawaii and presents himself before the commanding officer, Captain Dana Holmes (Philip Ober). The captain is a boxing enthusiast, and he’s licking his lips at the thought of having added one of the army’s best boxers to his clutch: Prewitt is a famous middle-weight, isn’t he. No sir, Prewitt says. He was; he doesn’t fight now. Not after that incident—Holmes obviously knows what Prewitt’s alluding to, but we get to know only later, when Prewitt meets and falls in love with a prostitute named Lorene (Donna Reed).

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Judgement at Nuremberg (1961)

My mother was brought up in a family ruled by a very orthodox old curmudgeon—sorry, gentleman—who believed cinema was inherently evil. This was my great-grandfather, and thanks to his restrictions, the only films my mother and her siblings were allowed to watch were The Ten Commandments and Quo Vadis. After his death, though, the family let themselves go to seed. No, they didn’t start watching all the porn they could lay their hands on (I doubt there was much floating around in the Calcutta of the 60’s, anyway), but they certainly began seeing some films that, while not evil by any stretch of imagination, would probably not have won great-granddad’s approval. The Innocents. The Three Faces of Eve. And this one, a thought-provoking, disturbing film that raises a lot of questions.

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