The Spiral Staircase (1946)

Years ago, when I first watched Wait Until Dark, I was blown away by the ingenuity of the idea: a blind woman trapped inside a house with a murderer on the loose. Audrey Hepburn was superb as the woman who must use all her wits to keep one step ahead of her pursuer, and if possible, to turn the tables on him.

That was the film I kept remembering when I was watching The Spiral Staircase, a story about a mute girl who is caught in a large mansion with a murderer coming after her.

The story begins, not at the mansion, but at a small hotel in the nearby town. On the ground floor of the hotel, a film (silent, shown with an accompanying pianist providing the music) is being projected. A small but engrossed audience is in attendance, and this includes Helen (Dorothy McGuire), who is mute.

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The Paradine Case (1947)

This is one of the few Hitchcock films I didn’t see in my younger years. And, considering that Hitchcock is one of my favourite directors, and Gregory Peck one of my favourite actors, that is odd indeed. Perhaps I should put it down to the fact that The Paradine Case is not one of Hitch’s best-known works; in fact, he more or less washed his hands off it. And Peck, too, seems to have not really liked it.

Gregory Peck in The Paradine Case

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