Ten of my favourite Nalini Jaywant songs

Nalini Jaywant is one of those actresses about whom I’ve changed my opinion over the course of my watching of her films. I remember, as a child (which includes my early teens, which was a peak period when it came to Hindi film viewing), not especially liking her. I was a callow youngster, and as shallow as I was callow. To me women like Madhubala or Meena Kumari were the ultimate in beauty: Nalini Jaywant, with her heavy-lidded eyes and her pouting mouth, didn’t strike me as beautiful. Also, even if I put aside the purely superficial aspect of her looks, there was the fact that I didn’t think her a good actress. I found her voice affected and thin, nothing to write home about.

Thank goodness I grew up. Grew up, widened my horizons, and realized that there are different kinds of beauty. Realized, too, that one shouldn’t pass judgment on the worth of an actor without having watched a wide-ish spectrum of their work. Nalini Jaywant, when I had watched Munimji, seemed just another effervescent filmi female, no more than arm candy; it was through Shikast and Kaala Paani, through Hum Sab Chor Hain and Railway Platform (and many more), that I discovered just how versatile she could be. Goofy, flirtatious, tragic, long-suffering, feisty… Nalini Jaywant aced so many roles, brought so many of her characters vividly to life.

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Ten of my favourite devotional songs

I made my first song list pretty soon after I started blogging. And once my blog began drawing some readers, I also began getting requests for themes for song lists. One theme (along with lullabies) that several people have requested over the years but which I’ve not yet been able to compile—till now, that is—has been that of the devotional song. The bhajan.

Mostly, I steered away from handling this theme because the most common and most popular bhajans just didn’t float my boat: I invariably found them too screechy and shrill. But as time has passed and I’ve been exposed to more devotional songs from the films of the 50s and 60s (in particular), I’ve realized that there are many bhajans that I do like. So, finally, a post. A list of ten devotional songs that I especially like. As always, these are from pre-1970s Hindi films that I’ve watched.

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Ten of my favourite non-romantic male-female duets

Whew. That’s a long title for a song list.

But at least it covers the basics for what this list is all about.

I listen to a lot of old Hindi film music. Even when I’m not listening to one old song or another, one of them is running through my head. And the other day, remembering some old song, I realized just how uncommon it is to find a good song that’s a duet (male and female) that doesn’t have some shade of romance to it. When the song’s a solo, there seems to be no problem doing themes other than romance: the singer could philosophize, could sing of life or past childhood, of—well, just about everything. When the song’s a duet between two females or two males, it could run the gamut from friendship to rivalry on the dance floor, to devotion to a deity, to a general celebration of life.

But bring a man and a woman together, and it seems as if everything begins and ends at romantic love. They may be playful about denying their love; they may bemoan the faithlessness of a lover; they may try to wheedle and cajole a huffy beloved—but some element of romantic love always seems to creep in. Even when there’s no semblance of a romantic relationship between the two characters in question (for instance, in a performance on stage, or—in my favourite example of a very deceptive song, Manzil wohi hai pyaar ki)—they end up singing of romantic love.

So I set myself a challenge: to find ten good songs which are male-female duets, and which do not mention romantic love in any form, not even as part of a bhajan (the Radha-Krishna trope is one that comes to mind). Furthermore, I added one more rule for myself: that the actors should both be adults (because there are far too many songs which have a female playback singer singing for a child onscreen).

Hariyaala saawan dhol bajaata aaya, from Do Bigha Zameen

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