Do Dooni Chaar (1968)

Mention Shakespeare and Hindi cinema, and most eyes light up. Vishal Bhardwaj’s tragedy trilogy—Omkara, Maqbool, and Haider—come immediately to mind for those who cannot think back further than the 1990s, if that. Those who belong to a certain generation (my own) will probably remember fondly the delightful comedy, Angoor, based on A Comedy of Errors.

Fewer, perhaps, will know that Hindi cinema’s tryst with Shakespeare is much older than Angoor. In 1928, a Hamlet adaptation called Khoon-e-Nahak was released; the same play was adapted for screen again in 1935, this time as Khoon ka Khoon, starring Sohrab Modi in the title role opposite Naseem Banu as Ophelia. In 1941, The Merchant of Venice was adapted as a film named Zaalim Saudagar. And in 1954, Kishore Sahu produced, directed and acted in Hamlet, an interesting and unusual film for Hindi audiences since it was a fairly faithful enactment of the play—down to the costumes, the names, etc.

Along with Hamlet (which seems to win hands down when it comes to popularity among Hindi film makers), another popular play for adaptation seems to be A Comedy of Errors. In 1969, it had been made (though with many departures from the original plot, and with no twin servants) as Gustakhi Maaf, with Tanuja in the double role, opposite Sanjeev Kumar. It’s interesting to note that while Sanjeev Kumar would go on to act in another adaptation of the play (Angoor), Tanuja had already acted in yet another version. Do Dooni Chaar, released in 1968 and quite clearly the inspiration for Angoor.

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Biwi aur Makaan (1966)

I’m reading Jai Arjun Singh’s The World of Hrishikesh Mukherjee: The Filmmaker Everyone Loves these days (yes; a review will be posted sometime this month). A few pages into the book, and I came across a mention—followed by more interesting stuff—about a film I’d run into once, about ten years back. Biwi aur Makaan, of which I’d happened to find a VCD and had happily bought, guessing (from the synopsis on the VCD cover) that this might be fun.

That VCD turned out a dud: the first disc was fine, the second refused to play. So I set Biwi aur Makaan aside (regretfully), and ended up forgetting about it. Until earlier this week, when, reading Jai’s book, I was reminded of it, and on a whim, decided to see if I could find it on YouTube. Sure enough, there it was. And here is my review.

Biswajeet, Keshto Mukherjee, Kalpana and Shabnam in Biwi aur Makaan

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