Ekti Raat (1956)

This, actually, was not the film review I was intending to post this week. But then, over the weekend gone by, I met Moon Moon Sen, and I was reminded (of course I would be!) of her mother, Suchitra Sen.

I was in Dehradun on October 11 and 12, attending an arts and literature festival. The guest of honour was Moon Moon Sen, still beautiful, and with a serene calmness to her that was—as someone mentioned—very ‘peaceful’ (to which Ms Sen replied that she has a horrible temper!) Moon Moon Sen was mostly involved in graciously felicitating those who participated in panel discussions and so on; I was thrilled to have her place a scarf around my neck. But the last session of the festival was a conversation with her, and it was very interesting. She answered questions about herself, of course, but also about her mother (“always, ‘Madam’, never ‘Mrs Sen’ or ‘Suchitra’” she recalled). Not just a star, but a mother (“I only knew her as Mummy”), and one whom young Moon Moon was obviously very protective about: she said she shielded her mother when Suchitra Sen had to make her way through a crowd. She had no qualms even about punching anyone who tried to get fresh with her Mummy.

I remembered, then, that I had a Suchitra Sen film review ready to be published. Here it is, a light-hearted comedy, directed by Chitta Bose, based on a story by Balaichand Mukherjee ‘Banaphool’ and with a screenplay by Nipendrakrishna Chatterjee.

The story begins in the Calcutta home of Shushubhon Dutta (Uttam Kumar) and his wife Anita (Sabita Chatterjee), who have been married a few months. The two are constantly bickering, and we see them in the middle of an argument even as the film starts. Anita is hot-tempered, Shushubhon likes to needle her.

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Kabuliwala (1957)

This is a film I’ve been meaning to watch for a long time now—ever since someone told me that the 1961 Balraj Sahni Kabuliwala (in Hindi) wasn’t a patch on the Bengali version, directed by Tapan Sinha and starring Chhabi Biswas as the eponymous Afghan. I was reminded of it again last year when, for Tapan Sinha’s birth centenary celebrations, Anu (from Conversations over Chai) wrote this wonderful review of the film.

Then, some time back, I began reading 100 Indian Stories (edited by AJ Thomas, published by Aleph Book Company, 2025)—and one of the very first stories in the collection was Rabindranath Tagore’s classic The Kabuliwala.

I figured it was about time I watched Tapan Sinha’s take on the story.

The story begins with scenes (no dialogue, only somewhat sonorous singing in what seems to be Pashto) in rural Afghanistan. Peaks loom high above the valley, a train of camels moves rhythmically along a narrow mountain, and we see Rahmat (Chhabi Biswas) hard at work, but taking out time now and then to play with his little daughter, whom he’s obviously deeply devoted to.

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Sagarika (1956)

Every now and then, when I’ve reviewed a Hindi film (Mamta, Sahib Bibi aur Ghulam, Kabuliwaalah, Khamoshi) or even mentioned one (Devdas, Chori Chori), someone or the other has popped up and either informed me (or reminded me) that this film was originally made in Bengali.

It was a little different with Sagarika. This film nobody told me about. I happened to be trawling IMDB checking out the synopses of all of Suchitra Sen and Uttam Kumar’s films, and realized—even as I read the plot of Sagarika—that this was exactly the same story as one of my favourite Hindi films, Bimal Roy’s lovely Prem Patra. Could I resist the temptation to watch it? No.

Uttam Kumar and Suchitra Sen in Sagarika Continue reading