Last year, I read AJ Finn’s thriller suspense novel, The Woman in the Window, in which the protagonist spends most of her time drinking wine and spying on her neighbours. I didn’t like the book, but the protagonist, besides being an alcoholic and a voyeur, had one thing to recommend her: she was a lover of old suspense films. The book had plenty of references to classic noir cinema, and I got a kick out of seeing how many of those I’d watched. And making notes of the ones I hadn’t seen yet, but which I thought I should try to get hold of.
Sudden Fear was one of those I hadn’t seen before, and when I found a very good print on YouTube, I decided to give it a try.
The story begins at a theatre company; rehearsals for a play are in progress, and the playwright Myra Hudson (Joan Crawford), a very wealthy heiress who insists on working for a living because she doesn’t want to live off all her inherited wealth, is sitting with a few other people. Onstage, the lead actor, Lester Blaine (Jack Palance) is speaking a romantic dialogue to his co-star.
Much is made of International Women’s Day, and I find myself inundated with messages relating to that, beginning a week in advance of March 8. Promotions from online retailers, newspaper ads, flyers offering discounts on everything from spa treatments to cosmetics: it’s all there. I however tend to mostly ignore Women’s Day and treat it just as another day.
This time, though, I thought: why not post a review of a film that puts women in an important role? It occurred to me then that it had been years—more years than I could remember—since I had watched The Women. And that this might be a good excuse to rewatch a very unusual film: unusual, not because of the story (which isn’t so very offbeat), but because of the fact that the film has no male characters appearing onscreen. Men are there in The Women, but they are neither seen nor heard.