February 1920 was a very important month for Hindi cinema, though of course the fledgling cinema industry in India back then didn’t know it. But that month, a century ago, marked the births of three major actors (and one not so major, but by no means a non-entity). One was Pran, born on February 12th. Another was Iftekhar, born on February 22nd (a birthday shared with Kamal Kapoor). And between Pran and Iftekhar, born on February 16th, a man who was not just actor, but also writer, director and producer: IS Johar.
My mother grew up in a family ruled by the iron hand of her grandfather, a strict disciplinarian who thought dining out, nightlife, and cinema were a waste of time. Not to mention immoral. As a result, while he was alive, about the only films the family went to watch were The Ten Commandments, Ben Hur, and Kismet.
Mummy once told me that the first film she happened to watch after the old gentleman (and his controlling ways) had passed on was The Innocents. And that she liked it. When I discovered that it starred Deborah Kerr—a favourite of mine—I was curious. I watched this film shortly after I began blogging, but decided I’d postpone a review (and a rewatch) for after I’d read the story on which this film was based: Henry James’s famous The Turn of the Screw.