Leave Her to Heaven (1945)

I have learnt a lot from blog readers and fellow bloggers over the years I’ve been blogging. One thing for which I am especially grateful is recommendations: I’ve had bloggers mention films they like, and more often than not, I’ve ended up at least going and checking it out. Sometimes, I give it a miss (an actor I don’t like?). Sometimes, I watch the film but—perhaps because my expectations might have been too high to start with—end up being too underwhelmed to even want to go through the trouble of reviewing it.

Not this time. Fellow blogger and blog reader Neeru recommended Leave Her to Heaven, and I didn’t just watch it, I watched it pretty much sitting on the edge of my seat, waiting to see what would happen next.

A harried-looking young man (Cornel Wilde) has just returned to his home town after two years in prison. He is met at a lakeside dock by a lawyer named Robie (Ray Collins), who greets him with genuine affection and hands over a boat. The young man gets into the boat, thanks his friend, and moves off across the lake.

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Spellbound (1945)

When I posted my review of Charade a couple of weeks back, I ended up being reminded of this film. Firstly, because Charade is referred to as ‘the best Hitchcock film Hitchcock didn’t direct’. Secondly, because in the comments, a couple of readers mentioned a film in a similar vein, the Gregory Peck-starrer, Arabesque. My mind did a quick jump ahead, and came up with this: Hitchcock + Peck = Spellbound.

And, as if fate itself had decreed it, I realised just as I was beginning to write this review, that today – August 29 – is the birth anniversary (and, oddly, death anniversary, too) of Spellbound’s leading lady, the lovely Ingrid Bergman. This was the day she was born in 1915, and this was the day she died, in 1982. Happy birthday, Ms Bergman – and RIP.

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