Shaheed (1948)

RIP, Kamini Kaushal. Ms Kaushal, probably the oldest of Hindi cinema stars still living, passed away at the age of 98 on November 14, 2025.

Over the years I’ve been blogging, I’ve seen one after the other of some of my favourite stars pass out of our lives: Shammi Kapoor, Sadhana, Dilip Kumar, Kumkum… but with Kamini Kaushal, I have to admit to a somewhat pronounced sense of loss. Not because she was a particular favourite of mine (though I admitted to being quite impressed with her acting when I watched Biraj Bahu some months back). But because with her passing, the door seems to have shut firmly on those who heralded the start of the Golden Age in Hindi cinema.

Anyhow, a tribute seemed in order. A tribute to Kamini Kaushal, and to a film that I’ve been meaning to watch for a while now.

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Jhansi ki Rani (1953)

Given my penchant for history, it’s hardly surprising that I would, sooner or later, end up watching this film. It’s been on my radar for a while, though it was only last month that I was reminded of Jhansi ki Rani, because it showed up in my list of YouTube’s suggested videos. Oddly enough, what YouTube suggested wasn’t exactly this film but its English-language counterpart, The Tiger and the Flame, which was released in 1956. Sohrab Modi, who produced and directed (besides acting in) both versions of the film, went all out on creating a spectacular production, bringing in technicians and other crew from Hollywood, including Oscar-winning cinematographer Ernest Haller, who was responsible for the cinematography of Gone with the Wind.

This film was not just made in two languages, but with other differences between them too. The Tiger and the Flame is in Technicolor (the first India-made film in Technicolor) while Jhansi ki Rani is in black and white. Jhansi ki Rani has songs (composed by Vasant Desai with lyrics by Pandit Radheshyam), The Tiger and the Flame is minus the songs. Other than that, though, the films were much the same: the same cast, the same script.

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