The Spiral Staircase (1946)

Years ago, when I first watched Wait Until Dark, I was blown away by the ingenuity of the idea: a blind woman trapped inside a house with a murderer on the loose. Audrey Hepburn was superb as the woman who must use all her wits to keep one step ahead of her pursuer, and if possible, to turn the tables on him.

That was the film I kept remembering when I was watching The Spiral Staircase, a story about a mute girl who is caught in a large mansion with a murderer coming after her.

The story begins, not at the mansion, but at a small hotel in the nearby town. On the ground floor of the hotel, a film (silent, shown with an accompanying pianist providing the music) is being projected. A small but engrossed audience is in attendance, and this includes Helen (Dorothy McGuire), who is mute.

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Random Harvest (1942)

I am an unashamed romantic—but I have some stipulations. The romance mustn’t be the type that pops up out of the blue, just by two people looking at each other. It mustn’t consist of just staring, pop-eyed and with a silly grin, at each other. Most important, it must end happily. The ride into the sunset, or the fadeout on a heart-and-soul smooch, is of paramount importance.
That said, here’s one utterly lovely romance I saw a few weeks back. And then again yesterday, just because it was so wonderful.

Greer Garson and Ronald Colman in Random Harvest

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