At the time I got married I was working on a freelance project. The project was nearly complete, but I needed to let my client know some last details. In the course of our meeting, I mentioned that I wouldn’t be available for the next month, because I was getting married and would be away. “How long have you known your husband-to-be?” the client asked after he’d congratulated me. When I mentioned three years, he grinned. “Good,” he said. “I went to a wedding the other day, where the couple had known each other three days.”
We had a laugh over that, and wondered how long that marriage would last. I was reminded, too, of the old adage about marrying in haste and repenting at leisure.
But, really, what risks do you run if you marry someone in the heat of the moment, without really knowing that much about them? What if you later find that you share very little in common? Or, worse, that there are downright scary people in your spouse’s life?
I remember watching a fair bit of Soviet cinema as a child. This was back in the late 1970s and 80s, when India and the USSR were bosom buddies. Soviet children’s literature filled our bookshelves and the occasional Soviet Film Festival meant that even before I turned 10, I’d already seen English-dubbed Russian cartoons. Later, when we got a TV, we saw several classics—Anna Karenina, War and Peace, and the like—on Doordarshan. Those, sadly (yes, literally sadly!) left me with a lasting impression of Soviet Cinema = Moroseness, Morbidity, Unrelenting Angst.
It struck me the other day that that couldn’t be all. So I set out to see what I could unearth, and I discovered several films that I liked a lot. Devchata (The Girls) is one of them.
Doris Day, Rock Hudson and Tony Randall acted together in three films: Pillow Talk, Lover Come Back, and Send Me No Flowers. Since I’d already reviewed the other two, I decided it was time to complete the trio with a re-view and a review of Pillow Talk, the first of the Day-Hudson-Randall films.
(a) Look like Marilyn Monroe/Betty Grable/Lauren Bacall
(b) Dress as if you were already married to that millionaire
(c) When asked the definition of scruples, open those baby blues wide and say “Huh?”
(d) Be very, very lucky
…which more or less sums up the `strategy’ the three protagonists of this film use to try and hook great (read wealthy) husbands for themselves.