Small Town India in Ten Songs

I must begin this list with a disclaimer regarding that title: no, not really small town. However, a title that went ‘Tier 2 and Below Cities’ would be just too clunky. So give me some leeway here.

When I was watching Sapan Suhaane a few months back, the one song that really stayed with me was Naam mera Nimmo muqaam Ludhiana. Not only because it’s so catchy and Helen is so vivacious, but also because of the words. Why Ludhiana, I wondered. Was Shailendra thinking of Sahir when he wrote the lyrics of this song? Or did Ludhiana just seem to fit the metre and the rhyme scheme well? (It does, and really well).

That thought led to another: all the other songs that, like this one, also refer to the smaller towns of India. The really big cities—the metropolitan agglomerations like Bombay (a particular favourite, of course, given that the Hindi film industry is based there and most films have Bombay as a setting) or Delhi or even Kolkata—have plenty of references to them in song. But the smaller cities, the towns: they are rather more elusive. Not, however, completely missing. And that was what I set out to find: songs that mention smaller cities and towns (not the metros).

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It’s what you wear: Ten songs about attire

Every now and then a blog reader makes a request for a song list. Some I find interesting enough (and challenging enough) to decide to take up.

This is one such: songs that make a mention of a particular garment. A blog reader, an avid participant in antakshari, made this request, having first told me that he found my blog a very good resource for coming up with songs to fit just about any theme. Would I do a song list on items of attire, please? I had already published a list on dupattas/chunaris/odhnis, but beyond that, offhand, I could think of only a handful of other pieces of clothing that had been celebrated in song. It took a good bit of time, effort, and research to dredge up others.

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Beti (1969)

There are some things I have very little patience with while I’m watching a film. Weepiness, for instance. Precocious children for another. Endless bhajans (unless the bhajan in question happens to be of the calibre of Allah tero naam or Man tadpat hari darshan). Mindless self-sacrificing which can’t possibly benefit anyone.
And much more. Beti, unfortunately, has all of these in ample doses. I saw it primarily because I like the lead pair (Nanda is an old favourite, and I haven’t given up on Sanjay Khan, despite the lamentable Ek Phool Do Maali). And when a film lists Rajendranath, Shyama and Asit Sen in its cast, one can hope for lots of entertainment.

Or so I thought.

Sanjay Khan and Nanda in Beti

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