Satyajit Ray is a name that appears inevitably on any list of great Indian film directors. And often enough (or at least, it should, as far as I’m concerned) on lists of great film directors, regardless of nation or language. For me, half the joy of watching a Satyajit Ray film is not in in the breathtaking beauty of camera angles or the performances he managed to coax out of actors; it’s in the stories he told through his films. Stories very varied, stories that range all the way from whodunits to romances, to tales of human frailty, injustice, and more. You can never say of Satyajit Ray’s films that if you’ve seen one, you’ve seen them all.