This post is a consequence of the last film review I did: that of the 1966 Dharmendra-Rajshree starrer, Mohabbat Zindagi Hai. A ‘marriage of convenience’ theme about an heiress who must marry in a hurry in order to inherit the wealth due to her—and chooses a man on death row as her husband, so that she can legally get her money, but is conveniently widowed. Only to find that things don’t quite work out the way she’d expected.
The connection with Dynamite, made nearly 40 years earlier, by the legendary Cecil B DeMille? This film, DeMille’s first full-length sound feature, has several similarities to Mohabbat Zindagi Hai: the rich female lead; the clause in a dead relative’s will requiring her to marry in order to inherit; the down-to-earth coal miner who is accused (and convicted) of murder and is chosen by the heiress as a temporary husband so that she can get her money…
I have no compunctions about admitting that when it comes to cinema, frivolity is right up my street. Comedy (even slapstick), romance, war, noir, Western, musical, sword and sandals: all is grist to my mill. Happy endings, the vanquished villain, the long fadeout on the kiss between the beautiful heroine and her handsome hero, and I’m happy too.
Which is why I was surprised at my own reaction to Not as a Stranger. It isn’t frivolous, not by a long shot; the heroine and the hero are ill matched; and the hero (maybe protagonist would be a better word) isn’t even a particularly nice character. Despite all of that, I still liked it—a lot.