Not As A Stranger (1955)

I have no compunctions about admitting that when it comes to cinema, frivolity is right up my street. Comedy (even slapstick), romance, war, noir, Western, musical, sword and sandals: all is grist to my mill. Happy endings, the vanquished villain, the long fadeout on the kiss between the beautiful heroine and her handsome hero, and I’m happy too.
Which is why I was surprised at my own reaction to Not as a Stranger. It isn’t frivolous, not by a long shot; the heroine and the hero are ill matched; and the hero (maybe protagonist would be a better word) isn’t even a particularly nice character. Despite all of that, I still liked it—a lot.

A still from Not As A Stranger

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