The Search (1948)

I am not one of those people who cry at the drop of a hat when watching a film. The high melodrama of most Hindi films, for instance, leaves me mostly cold. Lovers separated rarely elicit a tear, and people dying might make me feel vaguely sorry, but not much more.

What does make me feel really sad is when I see children in distress. Children lost, children helpless and in pain, children scared and hungry and lonely. (And yes, very importantly: child actors who do a good job of acting out these characters)… that is what can bring a lump to my throat.

And that is what The Search did to me.

Set in Berlin, just after the end of World War II, The Search begins with a large group of children, rescued from concentration camps and other places, being brought to an Allied shelter. Thin, ragged, their eyes huge and frightened, these children are, to all purposes, orphaned. Perhaps some of them do have a parent, long-separated from the child by the Nazis, but it will take time to find that parent. And in most cases, there is no hope at all: the child is all alone in the world.

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Rear Window (1954)

Friend, blog reader and sometime fellow blogger Harvey nudged me gently last week with a bit of information I hadn’t remembered. August 13th, 2014 was the 115th birth anniversary of Alfred Hitchcock. Was I planning to post something Hitchcock-related to mark the occasion?

And how could I not? Hitchcock – in my opinion, one of the best directors cinema has ever seen, regardless of time and place – is a firm favourite of mine. I’ve reviewed several of his films; in fact, one of the first films I reviewed on this blog (The 39 Steps) dates from Hitchcock’s early British period. I’ve reviewed a hilariously black comedy (The Trouble with Harry); I’ve reviewed classics like Rebecca, and relatively little-known ones (among those not Hitchcock aficionados, I hasten to add) like Strangers on a Train or Lifeboat.

Time (and occasion) therefore, I concluded, to review one of my favourite of Hitchcock’s colour films, in the classic suspense mould. Rear Window, about a photographer stuck in his tiny apartment with a broken leg…

James Stewart as LB Jefferies 'Jeff' in Rear Window

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Holiday Affair (1949)

Christmas border

I leave town tomorrow to visit my parents for Christmas—and for a brief break from the virtual world. And so, clichéd though this may seem, I thought my last post before Christmas should be one on a Christmas movie. No, it isn’t It’s a Wonderful Life. This one’s relatively little known, but is a sweet, lovely little gem of a movie—perfect for that warm and fuzzy feeling. And yes, it stars Robert Mitchum (which, for me, is reason enough to watch). Merry Christmas, all!

Robert Mitchum and Janet Leigh in Holiday Affair

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