By some strange oversight, despite the fact that Waqt is one of my favourite masala films, I’ve never reviewed it on this blog. And I’m wishing I didn’t have to end up writing about it on such a sad occasion—because Achla Sachdev, the actress who played the self-sacrificing, long-suffering mother and wife in this film, passed away on April 30, 2012.
This was not what I’d planned as my next post. But I learnt this morning that Ravi – the man who composed some wonderful tunes from the 50s and 60s – is no more. He passed away yesterday, the 7th of March, just four days after his 86th birthday. Ravi (born Ravi Shankar Sharma) also had a teeny-weeny link with my family. Like my uncle, he too sang part of the chorus for Vande Mataram!
More importantly, though, Ravi made a name for himself as a composer of songs that ranged from dreamily romantic to peppy, madcap to devotional (Ravi himself learnt how to sing by listening to his father sing bhajans when Ravi was a child).
Did the producer and director Devendra Goel specialise in film names that incorporated numbers? Have a look at this (admittedly select) filmography: Ek Saal, Ek Phool Do Maali, Ek Mahal ho Sapnon ka, Do Musafir, Dus Lakh… Was he, perhaps, doing a countdown to what he hoped would be some blockbuster magnum opus that would put Mughal-e-Azam or Mother India firmly and permanently in the shade?
I don’t know, but this I can say: of all the Devendra Goel films I’ve seen (six), this is by far the best. It’s coherent, interesting, romantic – and it stars a wonderful lead couple: Ashok Kumar and Madhubala.
Like memsaab, I too am a diehard Shammi Kapoor fan. Which is why China Town—with Shammi Kapoor in a double role—is bonanza! Add to that good music and two gorgeous heroines (Shakila and Helen) against the backdrop of Calcutta’s Chinatown (well, a sanitised set version), and you have a movie that’s quintessential Shakti Samanta: very entertaining.
Dustedoff 