Sabrina Mathew’s latest post is an interesting one that compares the two (1968 and 1999) versions of The Thomas Crown Affair. A couple of things from Sabrina’s review struck me: “The remake is keenly aware that the original got away with a lame robbery only because Steve McQueen planned it. So the remake fixes the problem with a daring art heist…”. And, ”The film is not just content with redoing the heist bit; it also wants to fix the romance by giving it a happy ending.” That reminded me of another film, again with two versions, for which I could quote Sabrina verbatim. Ocean’s Eleven, both the 1960 and 2001 versions, are also about robberies. And in this case too, the remake features a much sleeker robbery than the original—and a happier end.
Looking through my blog archives, I realised that the last Hitchcock film I reviewed, Dial M for Murder, was way back in November 2008. For someone who’s a self-confessed Hitchcock fanatic, this amounts to blasphemy. Service recovery seemed in order.
May I present, therefore, one of my favourite Hitch films: The Trouble with Harry. In true Hitchcock style, it’s full of suspense—but a suspense that’s quirky in the extreme. This is dark humour: farcical, irreverent, and very funny. No, not typical Hitchcock, but one of his best works.