What if you woke up one day to find that you couldn’t speak, couldn’t move, and—even worse, perhaps—had no idea who you were? And that when you set out to find out, you opened up a can of worms? That every other person you met seemed to be wanting to beat you or kill you (or ended up dead)—and you had absolutely no idea why?
Some years back, watching Hitchcock’s excellent Lifeboat, I was fascinated by John Hodiak. It was the first time I’d seen this actor, and I wanted to see more of him. After some searching, I discovered this intriguing example of film noir which starred Hodiak as the amnesiac who sets out to discover his identity—and ends up with some even more baffling answers.
Sabrina Mathew’s latest post is an interesting one that compares the two (1968 and 1999) versions of The Thomas Crown Affair. A couple of things from Sabrina’s review struck me: “The remake is keenly aware that the original got away with a lame robbery only because Steve McQueen planned it. So the remake fixes the problem with a daring art heist…”. And, ”The film is not just content with redoing the heist bit; it also wants to fix the romance by giving it a happy ending.” That reminded me of another film, again with two versions, for which I could quote Sabrina verbatim. Ocean’s Eleven, both the 1960 and 2001 versions, are also about robberies. And in this case too, the remake features a much sleeker robbery than the original—and a happier end.