The Three Musketeers (1948)

I admire producers and directors who gamble on completely stereotyped stars and cast them in roles one normally wouldn’t associate with them. For instance, I would probably not have thought of casting Dean Martin, with his playboy image and his singing star persona, as the drunk and pathetic deputy in Rio Bravo. I may not have considered Doris Day (screwball comedy!) appropriate as the stalked woman in Midnight Lace. And I most certainly wouldn’t have thought of casting ace dancer Gene Kelly as the lead man in this entertaining swashbuckler, which doesn’t have a single dance.

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Scaramouche (1952)

The French Revolution’s been the setting for a handful of films, but I’ve got to admit I don’t much care for everything that’s been produced. For instance, A Tale of Two Cities—despite starring Dirk Bogarde—has too sad an end to invite repeated watching. The Scarlet Pimpernel, though definitely more entertaining, stars Leslie Howard and Merle Oberon, neither of whom tops my favourites list.

Scaramouche, with an oh-so-ooohh Stewart Granger in the title role, some absolutely unbeatable swordplay, lots of wit (plus two beautiful heroines), therefore wins hands down. You may not learn much about the French Revolution, but entertainment’s guaranteed.

A scene from Scaramouche

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