On my laptop, I have a bunch of wallpapers of some of my favourite actors and actresses. Every now and then, depending upon whose films I’ve been watching—and therefore, who’s my current favourite—the wallpaper changes (right now, in anticipation of The Hobbit: The Desolation of Smaug, it’s Richard Armitage). For a short time, the wallpaper had been one of Eleanor Parker.
This photo of Eleanor Parker is the current wallpaper on my laptop screen:
…and I’ve decided it’s time to change it, simply because it gets in the way of my work. Every now and then, while I’m working, I need to move to the desktop to open a folder or file that’s there. Invariably, I end up gaping at the gorgeous Ms Parker and forgetting all about why I’d arrived at the desktop in the first place.
One person who’s figured very consistently on my blog statistics for the past year is the gorgeous Eleanor Parker. Any day, all I need to do is click my blog stats link, and I’ll see that among the top hits for my blog is ‘eleanor parker’ or ‘eleanor parker actress’. So, considering it’s her 88th birthday today, it seemed the perfect time to review a film that starred Ms Parker.
Eleanor Parker was born on June 26th, 1922. The ‘Woman of a Thousand Faces’ (so called because of her amazing versatility), she got three Oscar nominations, but is usually remembered mainly for her role as the beautiful Baroness in The Sound of Music. Ms Parker did, however, act in a host of other films—and in very varying roles, too. This, as the mail order bride of a plantation owner in South America, is just one of them.
It’s been a while since I did my eye candy posts—lists of the Hollywood and Bollywood actors I think top the class when it comes to sheer good looks (nobody’s talking acting ability here). And in case you thought I’d forgotten about the ladies: no, I hadn’t. And yes, here they are: a list of the ten women I think were the loveliest in English-language cinema during the golden years.
Yes, I know I should’ve included her and her and her, and yes, how could I’ve forgotten her, but hey: this is my list! Enjoy, and tell me who your favourites are.
These, by the way, are more or less in order.
The French Revolution’s been the setting for a handful of films, but I’ve got to admit I don’t much care for everything that’s been produced. For instance, A Tale of Two Cities—despite starring Dirk Bogarde—has too sad an end to invite repeated watching. The Scarlet Pimpernel, though definitely more entertaining, stars Leslie Howard and Merle Oberon, neither of whom tops my favourites list.
Scaramouche, with an oh-so-ooohh Stewart Granger in the title role, some absolutely unbeatable swordplay, lots of wit (plus two beautiful heroines), therefore wins hands down. You may not learn much about the French Revolution, but entertainment’s guaranteed.