When I did a post on food songs as part of Food and Food Movie Month on Dustedoff last year, blog reader magi posted a link to a very interesting song Vivaaha bhojanambu and told me about the film it was from. Maya Bazaar, which several others also praised as being a very entertaining mythological.
Every few months, I go on a rampage, looking for old regional language films with English subtitles.
One of the saddest facts I’ve realized over the past few years—since I became interested in films in languages other than Hindi and English—is that while a considerable number of good foreign language films can be found with subtitles, the same cannot be said for Indian cinema. More modern films can be found subbed (though the quality of subbing is often questionable); but old cinema? Not much hope. About the only Indian language, other than Hindi, for which I have often been able to find English-subbed films, is Bengali. Perhaps the fact that stalwarts like Satyajit Ray and Ritwik Ghatak are so popular outside India has had a ripple effect on films by other directors of the same era as well.
Anyway, without further ado: my latest find. A few weeks back, trawling Youtube for subbed films, I came across the Telugu comedy Chakrapani. I’d never heard of this before, but comedy is a genre I am always eager to dive into (perhaps because Hindi cinema itself was so short of outright comedies?). And guess what? This was quite an entertainer.
When I’d decided to dedicate this month to regional Indian cinema, I’d also decided that I wouldn’t restrict myself to only the grim, stark ‘real’ films that win awards (Chemmeen, as you will see over the next few films, was an exception rather than the norm). After all, it’s not only the films which win awards that are remembered and loved. There are also films that may not be award-winning material, but are enjoyable and prove to be hugely popular.
Pathala Bhairavi—originally in Telugu, also dubbed in Hindi and Tamil—was one of these. Although the research I’ve done doesn’t seem to indicate any awards won, this film was a superhit, which ran to packed houses for weeks on end. It was also the only South Indian film to be selected for screening at the first International Film Festival in Bombay in 1952. And—this was what made me want to see it—it was a fantasy film, one of my favourite genres.