Tag Archives: Western

The Magnificent Seven (1960)

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After having watched Akira Kurosawa’s brilliant Shichi-nin No Samurai last week, I figured it was time to rewatch this film, which goes so far as to mention that it’s based on Shichi-nin No Samurai. For me, The Magnificent Seven has much to recommend it. Firstly, it’s a Western, a genre I’m usually fond of (as long as it steers clear of the run-of-the-mill formulas that John Wayne acted in during the early 30’s—and which, sadly, continued in a lot of films well past the 30’s). Secondly, The Magnificent Seven stars one of my favourite actors, Yul Brynner. Thirdly, it was directed by John Sturges, the very capable man behind classic adventure films like Escape from Fort Bravo, The Great Escape, and Ice Station Zebra.

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Stagecoach (1939)

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Years ago, an issue of Reader’s Digest carried a list of ten Hollywood films any self-respecting film collector/lover must possess. At the time, I had seen only one of the films on the list—Gone With the Wind—but since then I’ve seen some more, Singin’ In the Rain and Stagecoach among them. And though I’m a Gene Kelly fan (and not a John Wayne fan!), I must admit that I’d rate this film higher than Singin’ In the Rain. It is a Western, of course, and with all the usual trappings of a Western: the Apaches that attack out of the blue; the hooker with the heart of gold; and the wronged ‘outlaw’ who’s bent on revenge. But Stagecoach has a lot more going for it, and makes good viewing even for someone who’s not really into Westerns.

Stagecoach

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River of No Return (1954)

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This review is, of course, a tribute to Mitchum; it is also a tribute to my uncle, David Vernon Kumar. In the good old days, my uncle was a guitarist with the Hindi film company Filmistan. He was very talented, and though he passed away when I was a child, I remember him as having a great sense of humour and of regaling us with tales of his days in Bombay and the film world.
The connection: one of Vernie Uncle’s favourite tunes was the theme song of River of No Return. It’s a lovely song, and this is a lovely film.

Robert Mitchum and Tommy Rettig in River of No Return

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Westward the Women (1951)

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On International Women’s Day, I’d like to raise a toast to all the women I admire. My mother, my sister, sundry relatives, old school and college friends whom I haven’t seen in years, ex colleagues, and even some women I’ve only met in cyberspace but whom I nevertheless respect and admire (memsaab, bollyviewer, and Banno: this is for you). And to Sabrina Mathew, one of the most intelligent, well-read and amazing people I’ve ever met. Here’s to all of us!

Ahem. That sounds like a dedication on a book or an Oscar acceptance speech. And though I mean it sincerely, this perhaps isn’t the forum to get emotional and teary. So back on track, and this time with an unusual film: a Western in which though the star is Robert Taylor, the real heroes are all heroines. A good watch for Women’s Day.

Westward the Women

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Rio Bravo (1959)

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I’m a sucker for Westerns, but a long diet of classic Bollywood, with its abundant songs and happy endings, has rather spoilt things for me: I find I don’t like the dark and moody Westerns that go deep into the psychology of a silent and brooding hero. Rio Bravo, therefore, was right up my street: lots of action, a bit of humour, and even two great songs. Dean Martin. What more could a girl want?

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