Saat Hindustani (1969)

Last week I watched Shichi-nin No Samurai. Earlier this week, The Magnificent Seven (which was based on Shichi-nin No Samurai). So, logical progression? Next in line ought to be a film based on The Magnificent Seven. Saat Hindustani. Going by the law of averages (or should that be the law of diminishing merit?), I guess I shouldn’t have held out much hope for this one. Shichi-nin No Samurai is far superior to The Magnificent Seven, and The Magnificent Seven is light years ahead of Saat Hindustani.

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The Magnificent Seven (1960)

After having watched Akira Kurosawa’s brilliant Shichi-nin No Samurai last week, I figured it was time to rewatch this film, which goes so far as to mention that it’s based on Shichi-nin No Samurai. For me, The Magnificent Seven has much to recommend it. Firstly, it’s a Western, a genre I’m usually fond of (as long as it steers clear of the run-of-the-mill formulas that John Wayne acted in during the early 30’s—and which, sadly, continued in a lot of films well past the 30’s). Secondly, The Magnificent Seven stars one of my favourite actors, Yul Brynner. Thirdly, it was directed by John Sturges, the very capable man behind classic adventure films like Escape from Fort Bravo, The Great Escape, and Ice Station Zebra.

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Shichi-nin No Samurai (1954)

I first heard about this film when I was a child—The Magnificent Seven was being shown on TV, and one of my parents said it was based on Seven Samurai. End of story, for then.
I’ve grown up since. I’ve heard about the brilliance of Akira Kurosawa. And I’ve recently read that Shichi-nin No Samurai (Seven Samurai) was supposedly the first film ever to use the concept of a group of unconnected people being brought together for a common cause. It therefore seemed high time to finally see the film for myself.
Having just finished watching it, I’m still stunned. This is a mind-blowing film, colossal and profound, gut-wrenching and brooding and action-packed and funny and romantic and… Well, simply unforgettable.

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