The Magnificent Seven (1960)

After having watched Akira Kurosawa’s brilliant Shichi-nin No Samurai last week, I figured it was time to rewatch this film, which goes so far as to mention that it’s based on Shichi-nin No Samurai. For me, The Magnificent Seven has much to recommend it. Firstly, it’s a Western, a genre I’m usually fond of (as long as it steers clear of the run-of-the-mill formulas that John Wayne acted in during the early 30’s—and which, sadly, continued in a lot of films well past the 30’s). Secondly, The Magnificent Seven stars one of my favourite actors, Yul Brynner. Thirdly, it was directed by John Sturges, the very capable man behind classic adventure films like Escape from Fort Bravo, The Great Escape, and Ice Station Zebra.

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Macao (1952)

I’d been toying with the idea of a `star week’ for a while now, and who better to launch one with than Robert Mitchum? Mitchum was born on August 6th, 1917 (which is why I’m dedicating this week to him on my blog), and is one of my favourite Hollywood stars. Though burdened with—as he himself mentioned—lizard eyes and an anteater nose, not to mention a gut he was perpetually trying to hold in, Mitchum acted in some memorable films: drama, Western, war, comedy, and, most famously, noir.
Over this week, I’ll be reviewing a handful of Mitchum films, showing off some of my favourite Mitchum screen caps (yes, I do find this guy very handsome), and more. You’ll get a glimpse of why I like ‘Old Rumple Eyes’ so much, and I’m hoping some of you out there will be converted!
But, to begin with: Macao. A typical Mitchum noir, somewhat reminiscent of the Bollywood noir one got to see in the late 50’s. Exotic, sinister, not always coherent, but entertaining nevertheless.

Robert Mitchum in Macao

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