When it comes to Hindi film composer duos, for me there’s none greater than Shankar-Jaikishan. By no means the first (Husnlal Bhagatram, for one, predated them) and definitely not the last (there have been many others, from Laxmikant Pyarelal and Kalyanji Anandji to more recent duos like Anand-Milind), Shankar Jaikishan were unparalleled in the sheer quality of their work. They composed some of Hindi cinema’s best-loved tunes, all the way from Westernized club songs to ghazals, from dreamy love songs to peppy folk numbers. Versatility, finesse, and that ability to appeal to the common janta, to have ordinary folk humming their tunes: these were some traits which set Shankar-Jaikishan apart.
Tag Archives: Ajeeb dastaan hai yeh
Lata in Ten Moods
When I did the Rafi in Ten Moods post a few months back, Stuartnz suggested I also do a Lata Mangeshkar post sometime. It’s taken a good deal of thought, since—like Rafi—Lata also has such a huge corpus of work, it’s impossible for me to pick my ten favourite songs. This, therefore, is the easy way out. It’s a list of ten songs in ten different moods. Not Lata’s ten best songs, but ten songs that showcase her voice, in every emotion from joy and playfulness to heartbreak and deep sorrow. These are all from pre-70’s films that I’ve seen (Pakeezah is the exception, but I never count that as a 70’s film—for me that’s very 60’s).